Ty_Segall-Ty_Segall-CD-2017-D2H

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-ty_segall-break_a_guitar.mp3 Ty Segall Break A Guitar Unknown Unknown
2 02-ty_segall-freedom.mp3 Ty Segall Freedom Unknown Unknown
3 03-ty_segall-warm_hands_(freedom_returned).mp3 Ty Segall Warm Hands (Freedom Returned) Unknown Unknown
4 04-ty_segall-talkin.mp3 Ty Segall Talkin' Unknown Unknown
5 05-ty_segall-the_only_one.mp3 Ty Segall The Only One Unknown Unknown
6 06-ty_segall-thank_you_mr._k.mp3 Ty Segall Thank You Mr. K Unknown Unknown
7 07-ty_segall-orange_color_queen.mp3 Ty Segall Orange Color Queen Unknown Unknown
8 08-ty_segall-papers.mp3 Ty Segall Papers Unknown Unknown
9 09-ty_segall-take_care_(to_comb_your_hair).mp3 Ty Segall Take Care (To Comb Your Hair) Unknown Unknown
10 10-ty_segall-untitled.mp3 Ty Segall Untitled Unknown Unknown
NFO
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Number : DC658CD ▓███ ███▓ Street Date : 2017-01-27 ▓███ ███▓ Rip Date : 2017-02-04 ▓███ ███▓ Encoder : LAME 3.98.4 -V0 ▓███ ███▓ Quality : 248kbps / 44.1KHz / Joint Stereo ▓███ ███▓ Tracks : 10 ▓███ ███▓ Playtime : 00:36:06 (68.25MB) ▓███ ███▓ URL : http://www.ty-segall.com ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓████ ▄▄▄▄▄ ▄▄▄▄ ▀ ▄▄▄ ▀ ▄▄▄▄ ▄ ▄ ▄ ███ ▄ ▄▄▄▄ ▄▄▄▄▄ █████▓███▀▀▀▀██ █ ▓▓▓▓ ███████▄▄ █ ▄ █ █ █ █ █ ▄▄▄ █▄▀ █ ███ █ ▀▄▄▄ ▄ █ ▄▄████████ ▓▓▓▓ █ █ ▓▓▓▓ █████████ █ █ █ ▀▀▄ █▀▀▀█ ▀▄▄▄▄ █ ▀▄ █▄▄▄▄ █ ▄▄▄▄▀ █ █ ██████████ ▓▓▓▓ █ ██▄▄▄▄███▓██████▄▄▄█▄▄▄█▄▄▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▄▄▄███████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 01 Break A Guitar 3:38 ▓███ ███▓ 02 Freedom 2:07 ▓███ ███▓ 03 Warm Hands (Freedom Returned) 10:21 ▓███ ███▓ 04 Talkin' 3:51 ▓███ ███▓ 05 The Only One 3:54 ▓███ ███▓ 06 Thank You Mr. K 2:52 ▓███ ███▓ 07 Orange Color Queen 3:04 ▓███ ███▓ 08 Papers 3:00 ▓███ ███▓ 09 Take Care (To Comb Your Hair) 3:07 ▓███ ███▓ 10 Untitled 0:12 ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ ▓███ ███▓ 36:06 min ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████ ▄▄▄▄ ▄▄▄▄▄ ▄ █████████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ █ █▄▄ ▄ █ █████ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █ ▀▀▄ █▄▄▄▄ █▄▄▄▄ █▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ Back of the cover lists only 9 songs so I named track #10 ▓███ ███▓ "Untitled". ▓███ ███▓ ▓███ ███▓ This is what consequenceofsound.net writes about this release: ▓███ ███▓ ▓███ ███▓ There are historical precedents for a prolific artist like Ty ▓███ ███▓ Segall. Poet and garage rock imp Billy Childish has, since the late ▓███ ███▓ æ70s, released dozens of albums and singles with an assortment of ▓███ ███▓ associates from the UK underground scene. And SegallÆs buddy and ▓███ ███▓ occasional collaborator John Dwyer set the template in the æ90s ▓███ ███▓ with projects like Coachwhips, OCS, and the runaway train that is ▓███ ███▓ Thee Oh Sees. ▓███ ███▓ ▓███ ███▓ But in our current musical marketplace, the level of activity that ▓███ ███▓ Segall and his cohorts engage in seems both an attempt to harness a ▓███ ███▓ creative wellspring and an economic necessity. It often feels like ▓███ ███▓ unless theyÆre filling stadiums or have the winds of hype in their ▓███ ███▓ sails, musicians today run the risk of drowning in the worldÆs ▓███ ███▓ cultural wake if they arenÆt constantly producing. ▓███ ███▓ ▓███ ███▓ If Segall has such concerns, heÆs never copped to them. He, ▓███ ███▓ instead, seems driven more by the guilelessness of his age (not yet ▓███ ███▓ 30 as of this writing) and working with similarly keyed-up and busy ▓███ ███▓ friends like King Tuff, Mikal Cronin, and members of the Cairo ▓███ ███▓ Gang. ThereÆs a restlessness to him as well, a desire to make sure ▓███ ███▓ that his next project, whether itÆs a solo album or something like ▓███ ███▓ G╪GGS, his side project with Charlie Moothart of Fuzz and Chris Saw ▓███ ███▓ of Ex-Cult, is in some way different than anything heÆs done ▓███ ███▓ before. ▓███ ███▓ ▓███ ███▓ In the case of this new self-titled album, Segall is letting go of ▓███ ███▓ the reins somewhat. Rather than recording most everything himself, ▓███ ███▓ he brought in most of The Muggers, the band that backed him on tour ▓███ ███▓ through much of 2016, and captured their work live in the studio. ▓███ ███▓ That lends this recording an immediacy that sometimes gets stifled ▓███ ███▓ in even some of SegallÆs most brash efforts, like last yearÆs ▓███ ███▓ Emotional Mugger and 2014Æs The Manipulator. On those albums, the ▓███ ███▓ separation of instruments was apparent. Here, even during their ▓███ ███▓ more subdued moments (the psych-pop lead single ôOrange Color ▓███ ███▓ Queenö, the loping folk of ôTalkinÆö), you canÆt escape the impact ▓███ ███▓ of the full band. ▓███ ███▓ ▓███ ███▓ SegallÆs brand of artistic abundance doesnÆt leave a whole lot of ▓███ ███▓ room or time for marked growth. Great as Ty Segall is and as rich ▓███ ███▓ as the record sounds, it also serves to meet expectations rather ▓███ ███▓ than exceed them. All of SegallÆs musical obsessions are on ▓███ ███▓ display: hair-flipping hard rock (ôThe Only Oneö, fist-pumping ▓███ ███▓ opener ôBreak a Guitarö), bubblegum-adjacent psychedelia (ôTake ▓███ ███▓ Care [To Comb Your Hair]ö), punk, and an epic-length number that ▓███ ███▓ attempts to combine all of the above (ôWarm Hands [Freedom ▓███ ███▓ Returned]ö). ▓███ ███▓ ▓███ ███▓ Even when he doesnÆt break new ground, Segall and Ty Segall remain ▓███ ███▓ solid investments. ThereÆs definitely something to be said for ▓███ ███▓ getting exactly what you pay for with a new album. And if he can ▓███ ███▓ guarantee anything, itÆs that these songs are going to sound ▓███ ███▓ incredible when he and his band play them live on their upcoming ▓███ ███▓ tour. ▓███ ███▓ ▓███ ███▓ That, again, raises one of the biggest questions about the nature ▓███ ███▓ of todayÆs prolific artists: How can we expect them to evolve while ▓███ ███▓ theyÆre stuck in the album-tour-album-tour cycle? Since the ▓███ ███▓ economic realities of the music industry arenÆt going to change any ▓███ ███▓ time in the near future, it might make sense to lower our ▓███ ███▓ expectations and simply enjoy what folks like Segall and his ▓███ ███▓ cohorts have to offer. ▓███ ███▓ ▓███ ███▓ Essential Tracks: ôWarm Hands (Freedom Returned)ö, ôOrange Color ▓███ ███▓ Queenö, and ôThank You Mr. Kö ▓███ ███▓ ▓███ ███▓█▄▄ ▄▄█▓███ ███████▓███▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███▓███████ ██▀▀▀▀███▓█████▀ ▄▄▄▄ ▄▄▄▄ ▄▄▄▄ ▀█████████ ▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ ▀█████▓███▀▀▀▀██ █ ▓▓▓▓ ████████ █ ▄▄▄ █ █ █ █ █ ▄▄▄▄▄ █ █ █ ▄ █ █ █ ▄ █ ████████ ▓▓▓▓ █ █ ▓▓▓▓ ████████ █▄▄▄█ █▀▀▀▄ █ ▀▀ ▄█▄▄▄▄▄▄▄█ █ █ █ █ █▀▀▀ ▀▄▄▄▀ ████████ ▓▓▓▓ █ ██▄▄▄▄███▓█████▄▄▄▄▄▄▄▄▄█▄▄▄▄▄█████████████▄▄▄▄▄█▄▄▄▄▄████▄▄▄▄▄██████▓███▄▄▄▄██ ████████▀▀▀ ▀▀▀████████ ███▓▀ ▀▓███ ███▓ ▓███ ███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███ ███▓ ▓███ ███▓▄▄▄ ▄▄▄▓███ ██████████▄▄ ▄▄██████████ ██▀ ▄▄▄ ▀▀███▄ ▄███▀▀ ▄▄▄ ▀██ █ ▄▀▀████▄ ▀███▄ ▄███▀ ▄████▀▀▄ █ █▄▄▄▄ █▓▀██▄ ▀███ ███▀ ▄██▀▓█ ▄▄▄▄█ ████ ▄█▓ ▀██ ▀███ ███▀ ██▀ ▓█▄ ▀███ ███ ███ ▓███ ▀███ ███▀ ███▓ ███ ▀██ ██ ██▀ ▓███▓ ████▄ ▄████ ▓███▓ ▀██ ▀█ █ █▀ ▄██▓ ███████▄▄▄ ▄▄██████▄ ▓██▄ ▀█ █ ██ ▄███▓ ███████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██████████████ ▓███▄ ██ ██▓ ▓██▀ ▄███████████████▀▀▀▀▀▀▀█▀▀▀▀▀▀▀▀▀█▀▀▀▀▀▀██████████████▄ ▀██▓ ▓██ ██▓ ▓███▄ ▀ ▄▄▄▄ ▀▀█▀▀▀▀ ▄█████▄ ▄█▀▀▀▀▀█▄ ▄████▄ ▀▀▀█▀▀ ▄▄▄▄ ▀ ▄███▓ ▓██ ▓██▓ ▀███████████▄ ▄██▓██▀ ▀███▄ ▄█▀ ▀██▓██▄ ▄████████████▀ ▓██▓ ▓██▓ ▀▀▀▀ ▀██ ▓▓██▓ ▀██ ▄██▀ ▓██▓▓ ███▀ ▀▀▀▀ ▓██▓ █ ▓██▓ ▓██ ▓█▓ ▓██ ██▀ ▓█▓ ██▓ ▓██▓ █ ██ ▓██▄▄ ▓██ ▓█ ▓███▓ █▓ ██▓ ▄▄██▓ ██ ███▄ ▀████▄▄▄ ▄██ ▓█▄ ██▓ █▓ ██▄ ▄▄▄████▀ ▄▄██ █████▄▄ ▀███████▓████▀ ▀██ ██ █▓ ▄█ ██▀ ▀████▓███████▀▀ ▄█████ ██████▀ ▄█▓█▓█▓▓▓█▓ ▀████ ▓ ████▀ ▓█▓▓▓█▓█▓█▄ ▀██████ ████▀ ▄██▓▓█▓▓█▓█▓ ▄▄ ▀██▓ ▓██▀ ▄▄ ▓█▓▓█▓█▓▓██▄ ▀████ ██▀ ▄██▓▓█▓█▓▓█▓██▓ ▓██ ██▄ ▓██ ██▓ ▓██▓█▓▓█▓█▓▓██▄ ▀██ █▀ ███▓█▓█▓▓█▓██▓▀█▓ ▓████▄ ███▄▄ ▄▄██ ▄████▓ ▓█▀▓▓█▓█▓▓█▓█▓███ ▀█ █ ██▓█▓█▓▓█▓██▓█▓ ██ ▓███████▄ ▀█████ █████▀ ▄███████▓ ██ ▓█▓██▓█▓▓█▓█▓██ █ ▓█▓█▓█▓█▓▓█▓▓█▓█ ██ ▓████████▄ ▀██ ██▀ ▄████████▓ ██ █▓▓█▓█▓▓█▓█▓█▓██ ▓█▓▓▓█▓█▓█▓▓█▓██ ██ ▓█████████▄▄ █ █ ▄▄█████████▓ ██ ██▓█▓▓█▓▓██▓▓██▓ ███▓█▓█▓█▓███▀ ▓█▓ ▀▀█████████ █ █ █████████▀▀ ▓█▓ ▀███▓███▓▓█▓▓█ █▓██▓█▓█▓██▀ ▄█ ▓█▄▄ ▀▀▀▀▀ ▀▀▀▀▀ ▄▄█▓ █▄ ▀██▓█▓█▓▓█▓█ █▓▓████▓██ ▄███▄▄ ▀████▄ ▄███ ██ ███▄ ▄████▀ ███▄ ██▓█▓███▓█ █▓▓█▓████ ▄███████▄▄ ▀▀██ ████▄▄▄ ████████ ▄▄▄████ ██▀▀ ▄▄██████▄ ▀███▓█▓▓█ ▓█▓▓█▓█▓ ▄███████████ █ ███▓ ▓██████ ▀▀▀▀ ██████▓ ▓███ █ ███████████ ▓█▓█▓▓█▓ ▓██████▓ ████████████ █ █▓ ▄ █▓█▓█▓▓████████▓▓█▓█▓█ ▄ ▓█ █ ███████████ ▓██▓███▓ ▓█▓█▓█ ▄████████████▄ █ █ ██ █ ▄ ███ ▓█ ███ ▄ █ ██ █ █ ▄███████████▄ █▓█▓█▓ ▓███▓ ▀█████████████▄ █ █▄▀█ ███ █ █ ▀▓ █ █ ███ █▀▄█ █ ▄████████████▀ ▓███▓ ▓███▓ ▀█████████████▄ █ ██▄▓ ▀██ ███ ▀ ██ █▀▀ ▓▄██ █ ▄████████████▀ ▓███▓ ▓████▄ ▀████████████▄ █ ▀████▄▄▓▄ ▀ ▓ ▀ ▓▄█████▀ █ ▄███████████▀ ▄████▓ ▀▀▓███▄▄ ▀▀█████████▄ █▄ ▀▀████████████▀▀ ▄█ ▄████████▀▀ ▄▄███▓▀▀ ▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀ ▀████▄▄▄ ▄▄▄████▀ ▀▀████████████▀▀ ▀▀▀▀▀▀

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