| Genre | Unknown |
|---|---|
| Date (CEST) | 2013-09-28 10:27:38 |
| Group | 404 |
| Size | 69 MB |
| Files | 11 |
| M3U / SFV / NFO | |
Tyler_Farr-Redneck_Crazy-2013-404
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-tyler_farr-dirty.mp3 | Tyler Farr | Dirty | Unknown | Unknown |
| 2 | 02-tyler_farr-makes_me_wanna_drink.mp3 | Tyler Farr | Makes Me Wanna Drink | Unknown | Unknown |
| 3 | 03-tyler_farr-redneck_crazy.mp3 | Tyler Farr | Redneck Crazy | Unknown | Unknown |
| 4 | 04-tyler_farr-whiskey_in_my_water.mp3 | Tyler Farr | Whiskey In My Water | Unknown | Unknown |
| 5 | 05-tyler_farr-hot_mess.mp3 | Tyler Farr | Hot Mess | Unknown | Unknown |
| 6 | 06-tyler_farr-hello_goodbye.mp3 | Tyler Farr | Hello Goodbye | Unknown | Unknown |
| 7 | 07-tyler_farr-aint_even_drinkin.mp3 | Tyler Farr | Ain't Even Drinkin' | Unknown | Unknown |
| 8 | 08-tyler_farr-wish_i_had_a_boat.mp3 | Tyler Farr | Wish I Had A Boat | Unknown | Unknown |
| 9 | 09-tyler_farr-chicks_trucks_and_beer.mp3 | Tyler Farr | Chicks, Trucks And Beer | Unknown | Unknown |
| 10 | 10-tyler_farr-cowgirl_(feat_colt_ford).mp3 | Tyler Farr | Cowgirl (Feat. Colt Ford) | Unknown | Unknown |
| 11 | 11-tyler_farr-living_with_the_blues.mp3 | Tyler Farr | Living With The Blues | Unknown | Unknown |
NFO
Artist: Tyler Farr
Album: Redneck Crazy
Bitrate: 248kbps avg
Quality: EAC Secure Mode / LAME 3.98.4 / -V0 / 44.100Khz
Label: Sony
Genre: Country
Size: 72.23 megs
PlayTime: 0h 38min 47sec total
Rip Date: 2013-09-28
Store Date: 2013-10-01
Track List:
--------
01. Dirty 3:42
02. Makes Me Wanna Drink 2:52
03. Redneck Crazy 3:37
04. Whiskey In My Water 3:08
05. Hot Mess 3:16
06. Hello Goodbye 3:42
07. Ain't Even Drinkin' 3:36
08. Wish I Had A Boat 3:09
09. Chicks, Trucks And Beer 3:36
10. Cowgirl (Feat. Colt Ford) 3:55
11. Living With The Blues 4:14
Release Notes:
--------
ôI wanted to make an album you could take anywhere,ö says Tyler Farr of his
Columbia Nashville debut, ôand I can take this one to a barn party on a back
road and have everybody rock out, and at the same time kids can enjoy it and
dance to it.ö
He pauses and laughs. ôAnd I could play it for my grandma! I wanted everybody to
be able to listen to it, and I think we accomplished that.ö
As someone who believes that sharing music is not about fences, Tyler recorded a
stylistically rich debut album, true to his roots and influences, yet with a
freshness and personality that allow it to stand alone in contemporary country
music. The project ranges from power ballads, displaying a voice honed by years
of classical training, to edgy tracks influenced by TylerÆs relationship with
his good friend, country rapper Colt Ford.
ôThe album is who I am,ö he says, ôand it is different. ItÆs going to be one of
the most diverse albums out there. I spent two years listening to songs, picking
those I thought represented me the bestùnot just great songs, but the right
songs. There are things that will make you cry and some that are pure fun, like
æHot Mess,Æ or one I did with Colt called æChicks, Trucks, and Beer.Æ æHello
GoodbyeÆ is a break-up song, a big ballad, and then there are songs like one I
wrote with Craig Wiseman called æMakes You Wanna DrinkÆ and one called æRedneck
Crazy.Æ If itÆs great music,ö Tyler adds, it isnÆt about the instrumentation or
the style: ôYou either rock or you donÆt, and if it rocks, I like it.ö
Bringing the project to fruition was part of a journey that has transformed the
young singerÆs outlook.
ôMy life has done a one-eighty in the past few years,ö he says. ôI went from
having nothing to being able to make a solid living doing what I love to doùto
be on the road and on a tour bus year-round.ö
Part of that one-eighty included playing more than 200 dates with Ford.
ôWe met and just hit it off,ö he says, ôand I became his road vocalist and
opened shows for him. I learned what my crowd is, what they like and what gets
them going.ö
While his abilities as a vocalist and showman were serving him well on the road,
his knack for songwriting had earned him a publishing deal and helped lead to
his recording contract. It was the culmination of a long road to national
attention that began in Garden City, Missouri, a farm community a little over an
hour from Kansas City.
ôWe had 800 people,ö he says. ôWe didnÆt even have a stop light!ö
He grew up loving the outdoorsùat one point he considered a career in wildlife
management or as a game warden, but his love for entertainment sprouted early.
ôI would always be running around the house impersonating people, how they
talked or how they sang,ö he says, ôand that probably helped me more than
anything because I learned how to make my voice do different things.ö
Those skills were in evidence when he joined the middle school choir, then did a
solo at a Christmas show.
ôEverybody was talking about how much they liked it,ö he says. ôThey told me,
æYou need to do this,Æ and so my mom got me classical voice lessons.ö
He took those lessons in Harrisonville, which was 20 miles away and ôhad a movie
theater and an ApplebeeÆsùall your basic necessities!ö He kept up the lessons in
high school, a choice that Tyler says ôwas the best thing I could have done. On
this album, youÆll hear a lot of things that show how those lessons expanded my
range and helped me learn to make my voice more expressive.ö
Tyler received several vocal scholarship offers and accepted one at Missouri
State University. In the meantime, his motherÆs remarriage had another huge
effect on his life.
ôMy mom married DeWayne Phillips, who played lead guitar for George Jones. I was
16, and my first thought was, æWhoÆs George Jones?Æ But then I started going on
the road with him, and I saw him on the bus and thought, æMan, what a cool
voice. IÆve never heard anyone talk like this in my life.Æ
ôI remember seeing him on stage, and if thereÆs a moment where I knew what I
wanted to do for the rest of my life, it was when I was standing on the side of
the stage while he sang æWhoÆs Gonna Fill Their Shoes,Æ with pictures of Hank
Sr. and Lefty Frizzell and Elvis and Vern Gosdin up on the screen behind him. I
got goose bumps. I started wearing out country gold from that point on.ö
Phillips recognized TylerÆs singing ability and took him to Nashville to record
some songs.
ôI was still in high school,ö he says, ôand I sounded like a little Vince Gill.
But nothing happened, and at that point you think, æWhat are the chances of me
being able to do that for a living?Æö
He sang regularly at small-town Oprys in several states, especially during the
summer, as well as at occasional talent contests.
ôI liked great music of all kinds,ö he says. ôCountry, R&B, rock,
hip-hopùeverything, really. When I was younger, Garth Brooks was really hitting
it, and Tim McGrawÆs first albums were out, and I remember listening to that
stuff on the way to school. But I was listening to MC Hammer, too. If it made me
sing along, I liked it.ö
Once heÆd learned to separate his classical techniques from the popular music he
enjoyed, Tyler could bring the strength and control of his vocal training to
bear on the music he wanted to make.
During his senior year in high school, music took on added meaning for Tyler
following the death of his grandfather, who had given him his first guitar. ôThe
last thing I remember him saying is, æKeep singing. I know thatÆs what youÆre
supposed to do.Æ
ôI took his passing really hard, and that loss carried over into college,ö Tyler
recalls. It was during this time that he began playing guitar more often and
skipping class to write songs. At one point he took part in a talent show called
ôBig Man on Campus,ö singing the Rascal Flatts hit, ôI Melt.ö
ôThe whole school was there, and the girls all loved it, and afterwards I was
getting phone numbers,ö he says. ôPeople were saying, æMan, you should move to
Nashville,Æ and I thought, æYou know, this is alright. I could do this.Æ
ôI remember calling my mom and saying, æIÆm gonna move to Nashville.Æ She wasnÆt
happy about it, but I said, æIÆm sorry, but one day youÆll understand.Æ I
literally picked up my stuff that I had in the fraternity house I was living in,
threw it in the back of my car, and just took off to Nashville. I came down here
with nothing. Mom thought I was crazy, but she and my father drove all the way
down and helped me load my stuff and move in.ö
Tyler took a job working the door at TootsieÆs Orchid Lounge, a magnet for
singers and musicians moving to Nashville. At one point, he got on stage to sing
and immediately got encouragement from the band.
ôI loved the whole feel of the honky-tonk,ö he says. ôI was like, æMan, I
shouldÆve been born here. This is what I should have been doing since I was
ten.Æ I ate it up.ö
He played guitar on and off the job, flipped burgers in the kitchen, worked the
door and sang. He took a landscaping job in nearby Franklin, ôdoing whatever I
could to make it. I was broke as all hell, but after IÆd sung a few times at
TootsieÆs, they said, æWe need to get you your own show here. Two months later,
IÆm playing three or four nights a week, 10:00 ætil close.ö
Tyler and his family scraped together all the money they could, and he made a CD
that showed off his vocal talents, but taking it to the next level wasnÆt yet in
the cards.
ôI didnÆt know enough people,ö he says. ôI wasnÆt in the loop.ö Discouraged,
Tyler recalls waking up one morning and saying, ôIÆm moving back home.ö
He worked at a childrenÆs rehabilitation facility in the Ozarks, singing to the
kids at night and staying with an aunt and uncle.
ôI was content, but something was missing,ö he says, but then the CD heÆd made
reached songwriter/artist Rhett Akins. ôHe asked if I was still writing, then
said, æI really like your voice.Æ He and his writing partners Dallas Davidson
and Ben Hayslip said they wanted to work with me. It turned out they had also
heard a song I had done for a GAC outdoor show. It was like God redirecting my
life, saying, æThis is what you need to do,Æ and it happened a week after I
decided I was going to go back to school.ö
Akins and his partners recorded some new material with Tyler and began pitching
him as an artist. In the meantime, a Sony executive heard him perform at a
National Wild Turkey Federation event in Nashville and made an introduction that
led to his publishing deal. That, in turn, helped lead to his record deal.
TylerÆs unique background, from avid small-town outdoorsman to classically
trained vocalist, makes him one of the most compelling young singers in
contemporary country. His life experiences and outlook have let him enjoy the
ride.
ôIÆve learned not to worry too much or to take life so seriously,ö he says.
ôJust have fun because you never know. I was with Luke Bryan and Lee Brice on
the bus, and IÆm always like, æCÆmon boys, letÆs get a picture. I donÆt know how
long IÆm going to be doinÆ this.Æö ItÆs a perspective that modestly allows Tyler
to appreciate every step of his career, as he says, ôI do not take one day I get
to do this for granted.ö
The combination makes him one of the most accessible artists out there.
ôEvery place I go,ö he says, ôI try to do something fun and meet somebody new. I
am going to be one of those artists whoÆs in it for the fans. IÆm the guy thatÆs
gonna come out and drink a beer with you after the show. I donÆt know how many
times IÆve almost not gotten into my own show because I look like the people who
are coming to watch! Which I think is fine. IÆm just like my fans, and thatÆs
the way I like it.ö