Genre | Death Metal |
---|---|
Date (CEST) | 2025-08-01 20:49:47 |
Group | BLEEDiNG |
Size | 94 MB |
Files | 10 |
M3U / SFV / NFO |
Victim_of_Fire-The_Old_Lie-WEB-2025-BLEEDiNG
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-victim_of_fire-the_old_lie.mp3 | Victim of Fire | The Old Lie | 320 | 135 |
2 | 02-victim_of_fire-apocalyptic_inclination.mp3 | Victim of Fire | Apocalyptic Inclination | 320 | 90 |
3 | 03-victim_of_fire-wayward_light.mp3 | Victim of Fire | Wayward Light | 320 | 92 |
4 | 04-victim_of_fire-nightmares_of_ceasefire.mp3 | Victim of Fire | Nightmares of Ceasefire | 320 | 100 |
5 | 05-victim_of_fire-soldiers_dream.mp3 | Victim of Fire | Soldiers Dream | 320 | 103 |
6 | 06-victim_of_fire-discordance.mp3 | Victim of Fire | Discordance | 320 | 93 |
7 | 07-victim_of_fire-barren_path.mp3 | Victim of Fire | Barren Path | 320 | 95 |
8 | 08-victim_of_fire-front_towards_enemy.mp3 | Victim of Fire | Front Towards Enemy | 320 | 102 |
9 | 09-victim_of_fire-disharmonist.mp3 | Victim of Fire | Disharmonist | 320 | 97 |
10 | 10-victim_of_fire-aces_high_(iron_maiden_cover).mp3 | Victim of Fire | Aces High (Iron Maiden cover) | 320 | 145 |
NFO
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| | _/ | | __)_ | __)_ | | \| |/ | \/ \ ___
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|______ /_______ \/_______ //_______ //_______ /__\____|__ /\______ /
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artist: Victim of Fire
title: The Old Lie
year: 2025
genre: Death Metal
type: Album
label: Human Future Records
language: English
rel. date: 2025-08-01
source: WEB/MP3
quality: CBR 320kbps / 44.1 kHz / Full Stereo
runtime: 00:37:48
size: 98.44 MB
rip date: 2025-08-01
source url: https://www.deezer.com/album/777847871
tracklist:
1. The Old Lie 4:27
2. Apocalyptic Inclination 3:20
3. Wayward Light 2:21
4. Nightmares of Ceasefire 3:43
5. Soldiers Dream 4:03
6. Discordance 3:21
7. Barren Path 2:36
8. Front Towards Enemy 2:40
9. Disharmonist 7:04
10. Aces High (Iron Maiden cover) 4:13
release notes:
These guys have a very in-your-face thrashing take on crust. The guitar
sound on this album is not as raw as some, and the energy keeps things
moving, as the layered guitars seek harmony rather than dissonance.
Metal-core at the time might be a fair enough reference point. The
lyrics to the opening track deal with the realities of war. There is
more hyper-aggression here than the kind of bleak apocalyptic feel I
normally get from crust. Funny enough, the second song is titled
"Apocalyptic Inclination" but it runs off more of a thrashing rage than
deliberate darkness. The vocals are snarled in time with the rapid-fire
riffage, so you are lucky to discern a few words here and there. Mways
into the songs, things take a more melodic turn to provide dynamics.
"Wayward Light" works off a similar energy as the previous, so much so
that I begin to listen for the dynamic nuance. There is a bit of black
metal influence lurking in the storm of riffs unleashed here.
"Nightmares of Ceasefire " opens with a clean guitar intro before
meeting at the crossroads of thrash and punk. This does result in some
what hookier riffing. The theme of the album seems to be war. I suppose
they are raging against it. If they were Slayer or a death metal band,
they would need to be celebrating it. The rabid speed they are playing
has more in common with Slayer. Though I think the raw "Show No Mercy"
era. They lock into a few powerful chugs. The guitar wanders off into a
more melodic place to end the song.
"Discordence" is more like old school hard-core in its chugged attack.
The more melodic guitar parts that open "Barren Path" give way to
straight-up metal guitars that might as well be on a Darkest Hour album.
The scowling snarl of the vocals on "Front Towards Enemy".
"Disharmonist" finds guitar melodies working their way into the chaos.
This might be the most black metal moment on the album yet. They throw
them into a more metal core, with a pretty powerful gallop. Speaking of
Gallop, the last song is a cover of "Aces High". Iron Maiden is one of
my favorite bands, so to cover them is to be heard under a more
microscopic ear. This song is going to be hardest for their bassist. The
guitar harmonies and played perhaps a little too fast as they thrash out
the verses to compensate for the snarl of the vocals. Of course, the big
hook at the chorus becomes a moot point. I think it's best to think of
it as a thrashing metal core album and less of a crusty album.