Genre | Rock |
---|---|
Date (CEST) | 2020-01-01 07:54:19 |
Group | JUST |
Size | 139 MB |
Files | 2 |
M3U / SFV / NFO |
White_Stripes-Vault_42-DVD-2019-JUST
Infos
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Tracklist (M3U)
# | Filename | Artist | Songname | Bitrate | BPM |
---|---|---|---|---|---|
1 | 01-white_stripes-live_at_paychecks_hamtramck_03-13-99.mp3 | White Stripes | Live at Paychecks Hamtramck 03-13-99 | 239 | Unknown |
2 | 02-white_stripes-live_at_magic_stick_detroit_05-30-99.mp3 | White Stripes | Live at Magic Stick Detroit 05-30-99 | 236 | Unknown |
NFO
Artist.......: White Stripes
Album........: Vault 42
Label........: Third Man Records
Genre........: Rock
Catnr........: VAULT42
Source.......: DVD (Dolby AC3 48000Hz stereo 192kbps)
Rip.date.....: 2020-01-01
Str.date.....: 2019-10-00
Quality......: 237kbps/48.0kHz/Joint Stereo
Url..........: https://www.thirdmanrecords.com/
track title time
1. Live at Paycheck's Hamtramck 03-13-99 37:56
* Intro
* Broken Bricks
* Let's Shake Hands
* The Big Three Killed My Baby
* Do
* Jimmy The Exploder
* Wasting My Time
* Cannon - John the Revelator
* Screwdriver
* Astro
* Sugar Never Tasted So Good
* One More Cup of Coffee (Bob Dylan)
* Lafayette Blues
* Slicker Drips
2. Live at Magic Stick Detroit 05-30-99 43:58
* Intro
* I'm Bored (Iggy Pop)
* Broken Bricks
* The Big Three Killed My Baby
* I Just Don't Know What To Do With Myself (Bacharach/David)
* Jimmy The Exploder
* St. James Infirmary (traditional)
* Astro
* Cannon - John the Revelator (traditional) - Grinnin In Your Face (Son House)
* Stop Breaking Down (Robert Johnson)
* The Same Boy You've Always Known
* Wasting My Time
* When I Hear My Name
* Lafayette Blues
* Sugar Never Tasted So Good
* Let's Shake Hands
Runtime 81:54
Size 139.31
Release Notes:
*** HAPPY NEW YEAR ***
1999 was a pivotal year for the White Stripes. From recording their first album
through rumors of the bandÆs demise and embarking on their first-ever tour, the
band worked extremely hard and was fortunate to see small but incremental gains
from their efforts. Third Man Records is humbled to explore the depths of the
band, their self-titled album and the entirety of their 1999 for our 42nd Vault
package, THE WHITE STRIPES XX.
With only a handful of days spent recording in the cold, amenity-free studio in
a Detroit January, it is of legitimate surprise the bounty of previously
forgotten alternate takes and unreleased tracks that exist from said sessions.
At a time when every last inch of tape meant dollars spent, the fact that
ANYTHING extraneous was saved is not just remarkable, but a windfall for fans
two decades later. While acolytes have previously heard ôDead Leavesö and ôLetÆs
Build a Homeö on a 7-inch single as part of Vault package 11 from 2012 (both
included here), they have not heard the acoustic demo of ôDead Leavesö, the
alternate takes of ôJimmy the Exploderö or ôI Fought Piranhasö or ôWasting My
Time.ö The explosive take on Burt Bacharach's (via Arthur Lee and Love) ôLittle
Red Bookö busts the game wide open to the point of confusion, begging the
questionà how was something THIS amazing left OFF the album? The version of
ôScrewdriverö as released originally back in 1999 was recorded at Jack WhiteÆs
domicile at 1203 Ferdinand in Southwest Detroit, while here weÆve uncovered the
totally-different-vibe version done in the studio setting. Alternate takes of
ôSugar Never Tasted So Goodö? ThereÆs two of æem. Multiple stabs at ôWhy CanÆt
You Be Nicer to Me?ö fit in here nicely, though the tune was momentarily shelved
before being reinvigorated and re-recorded for the bandÆs De Stijl nearly a year
later.
The tracks collected here present the listener with an alternate reality version
of how ù after a few non-aberrant turns and divergent creative paths ù the White
Stripes self-titled album could exist in a completely different space. Newly
mixed by Jack White at his Third Man Studios in Nashville, TN, this is the level
of material that the Vault was specifically created to share.
Come September of 1999, the band was as surprised as anyone to have been invited
to open three performances for indie rock favorites Pavement. Hitting
respectable college towns in the South/East, the shows would find the Stripes in
front of their largest crowds theyÆd encountered at that point in their career.
A hyper-speed (read: nervous) version of the bandÆs set at the Recher Theater in
Towson, Maryland has been shared in tape-trading circles for nearly 15 years,
but it is the far-superior performance at the Ritz in Raleigh, North Carolina
the following evening that finds Jack and Meg in top form. From the early
workouts on fan-favorite covers like Dolly PartonÆs ôJoleneö and Brendan
BensonÆs ôGood to Meö through the off-the-cuff take on Earl KingÆs (via the
Gories) ôTrick Bagö and absolute bombastic runs of ôBroken Bricksö and ôThe Big
Three Killed My Babyö show highlights how quickly the band was to find their
footing in front of unfamiliar audiences, and ultimately, win them over.
Additionally, Third Man has unearthed footage from two pivotal, game-changing
live performances by the White Stripes in their hometown. The March 13th
performance at PaycheckÆs in Hamtramck is remarkable for many reasons: a crowd
sang along to a White Stripes song for the first time (ôSugar Never Tasted So
Goodö), the band played their first-ever encore (ôSlicker Dripsö), and the group
ultimately put to rest the conjecture that it would be their last-ever
performance. The night was truly a watershed moment in the duoÆs history.
Nearly two months later, their debut album is released and the May 30th
performance celebrating its unveiling to the world is as equally groundbreaking
and sublime. Highlights include the first public use of JackÆs
soon-to-be-signature Airline Res-o-glass guitar, his first utilization of an
ancillary, affected vocal microphone on stage, and the only known time Jack
White licked a cartoonishly large faux peppermint while in the middle of a
guitar solo.
Finally, the coup de grace: an exhaustive, insightful, 11.75ö x 11.75ö booklet
containing the bevy of photos, flyers, lyrics, receipts, musings and
anything/everything that, at the time, probably seemed just like garbage, but
now, twenty years later, provides all kinds of context and clues into how this
odd dyad from Southwest Detroit was well on their way to a path of rock and roll
flag-waving.
https://www.thirdmanrecords.com/news/vault-package-42-the-white-stripes-xx/
RLS-Crc: 434F4A:E0E327E21572BF