███ ██████ █░░░█ ┌────────────────┐ ████░░░░█ █████ ██ █▓▓▓░▓█ │XTRA LARGE PIMPS├──┐████░░░░░░█ ███░░███ █░▓█ █▓░▓▓▓█ └─────────────▄████ │█████░░░░░██ ███░░░░░███ █▓▓█ █▓▓▓█ ▄▄███▓░█ │ █████░░░░░█ ███░░░░░░░██ ██ ███ ▄███░░▓▓▓█ │██▓▓▓▓██░░░░█ ███░░░█████▀ ███░▓▓░▓▓█│█▓▓▓▓▓▓█░░░░████░░███░▓▓█ ███▓░▓▓▓██▓▓▓▓▓██░░░░░░███░███░▓▓▓█▄ ███ ████▓▓░▓▓█▓▓▓▓████░░░░░██░█████▓░▓▓█ █████ ████▓▓▓▓▓▓▓█▀████░░░░░░░░████▓▓▓▓█ █████░░██ ▀███▓▓▓▓░▓█───████░░░░░░░░████▓▓▓██──┐ ██████▓▓░░██ ███▓▓▓▓▓▓▓▓██ ▀███░░░░░░░░█████▓▓▓█ ██████▓▓▓▓▓▓▓██ ███▓▓▓▓██░▓▓░██ ▄██░░░░░░░░░░████▓▓▓█▄██████▓▓▓▓▓▓▓▓▓██ ███▓▓▓▓████░▓▓▓▓███░░░░░░░░░░░░████▓▓▓████▓▓▓▓▓▓▓▓▓▓▓▓▓███ ███▓▓▓▓▓█ ▀█░▓▓▓▓▓█░░░░░░██░░░░░░███▓▓▓██▓▓▓▓▓▓▓▓▓▓▓▓▓▓█████ ████▓▓▓▓▓██ ██▓▓▓▓▓██░░░░████░░░░░░███▓░▓▓▓▓░▓▓▓▓▓▓██████▀ ███ ████▓▓▓▓█ ██▓▓▓▓▓██░░█▀▀██░░░░░░███▓▓▓▓▓░▓▓▓▓███▀▀───┐ █░░░█ ██ ▀█████ ████▓▓███░░█▀ ███░░░░░░██▓▓░▓▓▓▓▓███▀ │ ░░░▓▓█ █▓▓█ ██ ███████░░░░█▀ ███░░░░░░██░░░░███▀┌────────┴───────┐ ▓▓▓▓░█ █▓░█ │ █████░░░░░░░█▀ ███░░█████░░███▀ │XTRA LARGE RIPS │ █▓▓▓█ ██ │ ████░░░░░░░░█▀ ████▀ ▀████▀ └────────────────┘ ███ │ ██░░░░░░░░░█▀┌─────────────────█▀──────────────┐ │ ██░░░░░░░█▀ │ L A R G E - I N - C H A R G E │ │ ███░░░░█▀ └─────────────────────────────────┘ │ ▀█░░█▀ │ ██▀ │ ██ ┌─────────┴────────┐ ┌────────────────────────────────────────────┐ █▓▓█ │ .:PRESENTS:. ├───┤< Whitney Houston - One Wish >│ █▓▓█ └───────────────┬──┘ └──────────────────────────████──────────────┘ ██ │ █▓▓░▓█ │ █▓▓▓▓░▓█ │ ┌───────────────────────────────────────────────┐ └───┤ .: C D - I N F O :. │ │ │ │ Artist : Whitney Houston │ │ Album Title : One Wish │ │ Record Label : Arista │ ██ │ Release Date : Nov-18-2003 │ █▓░█ │ Release Type : Album │ ▄████▄ █░▓█ │ Catalog Number : 50996 │ █▓▓▓▓▓▓█ ██ │ Genre : Pop │ █▓▓▓▓▓▓▓▓█ │ Year : 2003 │ █▓▓▓▓▓▓▓▓▓▓█ │ Source : CDDA │ █▓▓▓▓▓░▓▓▓▓█ │ Encoder : Lame │ █▓▓░▓▓▓░▓▓▓█ │ Quality : 192kbps / 44.1Khz / Full Stereo │ █▓▓▓▓░▓▓▓▓▓█ │ │ █▓▓░▓▓▓░░█ └─────────────────────────────────────────────┬─┘ █▓▓▓▓░░█ │ ▀████▀ │ ┌─────────────────────────────────────────────┴─┐ ▄██▄ │ .: T R A C K - L I S T I N G :. │ █▓▓░▓█ │ │ █▓▓▓░░▓█ │ 01.The First Noel [03:14] │ █▓▓▓░░▓█ │ 02.The Christmas Song [03:12] │ █▓▓▓░░▓█ │ 03.Little Drummer Boy [04:29] │ █▓▓▓░░▓█ │ 04.One Wish (For Christmas) [04:12] │ █▓▓▓░░▓█ │ 05.O Holy Night [03:48] │ █▓▓▓░░▓█ │ 06.I'll Be Home For Christmas [03:45] │ █▓▓▓░░▓█ │ 07.Deck The Hall_Silent Night [04:29] │ █▓▓▓░░▓█ │ 08.Have Yourself A Merry Little Xmas [04:49] │ █▓▓▓░░▓█ │ 09.O Come, O Come, Emmanuel [03:06] │ █▓▓▓░░▓█ │ 10.Who Would Imagine A King [03:30] │ █▓▓▓░░▓█ │ 11.Joy To The World [04:42] │ █▓▓▓▓█ │ ------- │ ▀██▀ │ 43:16 │ │ 59,5 MB │ ┌───────────────┐ │ │ │ JOIN THE │ │ │ │ PIMP ├─────────┤ │ │ STATUS │ │ │ └───────────────┘ │ │ │ │ ▄███▄ │ │ █▓▓░░▓█ │ │ █▓▓▓▓▓▓▓█ ██ │ .: R E L E A S E - N O T E S :. │ █░▓▓▓▓░▓█ █░▓█ │ │ █▓▓░▓▓▓▓█ █▓▓█ │ Whitney Houston is inarguably one of the of │ █▓▓▓▓▓░░█ ██ │ the biggest female pop stars of all time. Her │ █▓▓▓▓▓░░█ ██ │ accomplishments as a hitmaker are │ █▓▓▓▓▓░░█ ██ │ extraordinary; just to scratch the surface, │ █▓▓▓▓▓░░█ ██ │ she became the first artist ever to have │ █▓▓▓▓▓░░█ ██ │ seven consecutive singles hit number one, and │ █▓▓▓▓▓░░█ ██ │ her 1993 Dolly Parton cover "I Will Always │ █▓▓▓▓▓░░█ ██ │ Love You" became nothing less than the │ █▓▓▓▓▓░░█ ██ │ biggest hit single in rock history. Houston │ █▓▓▓▓▓░░█ ██ │ was able to handle big adult contemporary │ █▓▓▓▓▓░░█ ██ │ ballads, effervescent, stylish dance-pop, and │ █▓▓▓▓▓░░█ ██ │ slick urban contemporary soul with equal │ █▓▓▓▓▓░░█ ██ │ dexterity; the result was an across-the-board │ █▓▓▓▓▓░░█ ██ │ appeal that was matched by scant few artists │ █▓▓▓▓▓░░█ ██ │ of her era, and helped her become one of the │ █▓▓▓▓▓░░█ ██ │ first black artists to find success on MTV in │ █▓▓▓▓▓░░█ ██ │ Michael Jackson's wake. Like many of the │ █▓▓▓▓▓░░█ ██ │ original soul singers, Houston was trained in │ █▓▓▓▓▓░░█ ██ │ gospel before moving into secular music; over │ █▓▓▓▓▓░░█ ██ │ time, she developed a virtuosic singing style │ █▓▓▓▓▓░░█ ██ │ given over to swooping, flashy melodic │ █▓▓▓▓▓░░█ ██ │ embellishments. The shadow of Houston's │ █▓▓▓▓▓░░█ ██ │ prodigious technique still looms large over │ █▓▓▓▓▓░░█ ██ │ nearly every pop diva and smooth urban soul │ █▓▓▓▓▓░░█ ██ │ singer male or female in her wake, and │ █▓▓▓▓▓░░█ ██ │ spawned a legion of imitators (despite some │ █▓▓▓▓▓░░█ ██ │ critics' complaints about over-singing). │ █▓▓▓▓▓░░█ ██ │ Always more of a singles artist, Houston │ █▓▓▓▓▓░░█ ██ │ largely shied away from albums during the │ █▓▓▓▓▓░░█ ██ │ '90s, releasing the bulk of her most popular │ █▓▓▓▓▓░░█ ██ │ material on the soundtracks of films in which │ █▓▓▓▓▓░░█ ██ │ she appeared. By the end of the decade, she'd │ █▓▓▓▓▓░░█ ██ │ gone several years without a true │ █▓▓▓▓▓░░█ ██ │ blockbuster, yet her status as an icon was │ █▓▓▓▓▓░░█ ██ │ hardly diminished. │ █▓▓▓▓▓░░█ ██ │ │ █▓▓▓▓▓░░█ ██ │ Whitney Elizabeth Houston was born in Newark, │ █▓▓▓▓▓░░█ ██ │ NJ, on August 9, 1963; her mother was │ █▓▓▓▓▓░░█ ██ │ gospel/R&B singer Cissy Houston, and her │ █▓▓▓▓▓░░█ ██ │ cousin was Dionne Warwick. By age 11, Houston │ █▓▓▓▓▓░░█ ██ │ was performing as a soloist in the junior │ █▓▓▓▓▓░░█ ██ │ gospel choir at her Baptist church; as a │ █▓▓▓▓▓░░█ ██ │ teenager, she began accompanying her mother │ █▓▓▓▓▓░░█ ██ │ in concert (as well as on the 1978 album │ █▓▓▓▓▓░░█ ██ │ Think It Over), and went on to back artists │ █▓▓▓▓▓░░█ ██ │ like Lou Rawls and Chaka Khan. Houston also │ █▓▓▓▓▓░░█ ██ │ pursued modeling and acting, appearing on the │ █▓▓▓▓▓░░█ ██ │ sitcoms Gimme a Break and Silver Spoons. │ █▓▓▓▓▓░░█ ██ │ Somewhat bizarrely, Houston's first recording │ █▓▓▓▓▓░░█ ██ │ as a featured vocalist was with Bill │ █▓▓▓▓▓░░█ ██ │ Laswell's experimental jazz-funk ensemble │ █▓▓▓▓▓░░█ ██ │ Material; their 1982 album One Down placed │ █▓▓▓▓▓░░█ ██ │ Houston alongside such unlikely │ █▓▓▓▓▓░░█ ██ │ avant-gardists as Archie Shepp and Fred │ █▓▓▓▓▓░░█ ██ │ Frith. The following year, Arista president │ █▓▓▓▓▓░░█ ██ │ Clive Davis heard Houston singing at a │ █▓▓▓▓▓░░█ ██ │ nightclub and offered her a record contract. │ █▓▓▓▓▓░░█ ██ │ Her first single appearance was a duet with │ █▓▓▓▓▓░░█ ██ │ Teddy Pendergrass, "Hold Me," which missed │ █▓▓▓▓▓░░█ ██ │ the Top 40 in 1984. │ █▓▓▓▓▓░░█ ██ │ │ █▓▓▓▓▓░░█ ██ │ Houston's debut album Whitney Houston was │ █▓▓▓▓▓░░█ ██ │ released in March 1985. Its first single, │ █▓▓▓▓▓░░█ ██ │ "Someone for Me," was a flop, but the second │ █▓▓▓▓▓░░█ ██ │ try, "You Give Good Love," became Houston's │ █▓▓▓▓▓░░█ ██ │ first hit, topping the R&B charts and hitting │ █▓▓▓▓▓░░█ ██ │ number three pop. Houston's next three │ █▓▓▓▓▓░░█ ██ │ singles the Grammy-winning romantic ballad │ █▓▓▓▓▓░░█ ██ │ "Saving All My Love for You," the brightly │ █▓▓▓▓▓░░█ ██ │ danceable "How Will I Know," and the │ █▓▓▓▓▓░░█ ██ │ inspirational "The Greatest Love of All" all │ █▓▓▓▓▓░░█ ██ │ topped the pop charts, and a year to the │ █▓▓▓▓▓░░█ ██ │ month after its release, Whitney Houston hit │ █▓▓▓▓▓░░█ ██ │ number one on the album charts. It eventually │ █▓▓▓▓▓░░█ ██ │ sold over 13-million copies, making it the │ █▓▓▓▓▓░░█ ██ │ best-selling debut ever by a female artist. │ █▓▓▓▓▓░░█ ██ │ Houston cemented her superstar status on her │ █▓▓▓▓▓░░█ ██ │ next album, Whitney; despite the │ █▓▓▓▓▓░░█ ██ │ unimaginative title, it became the first │ █▓▓▓▓▓░░█ ██ │ album by a female artist to debut at number │ █▓▓▓▓▓░░█ ██ │ one, and sold over nine-million copies. Its │ █▓▓▓▓▓░░█ ██ │ first four singles "I Wanna Dance With │ █▓▓▓▓▓░░█ ██ │ Somebody (Who Loves Me)" (another Grammy │ █▓▓▓▓▓░░█ ██ │ winner), "Didn't We Almost Have It All," "So │ █▓▓▓▓▓░░█ ██ │ Emotional," and "Where Do Broken Hearts Go" │ █▓▓▓▓▓░░█ ██ │ all hit number one, an amazing, │ █▓▓▓▓▓░░█ ██ │ record-setting run of seven straight (broken │ █▓▓▓▓▓░░█ ██ │ by "Love Will Save the Day"). In late 1988, │ █▓▓▓▓▓░░█ ██ │ Houston scored a Top Five hit with the non-LP │ █▓▓▓▓▓░░█ ██ │ single "One Moment in Time," recorded for an │ █▓▓▓▓▓░░█ ██ │ Olympics-themed compilation album. │ █▓▓▓▓▓░░█ ██ │ │ █▓▓▓▓▓░░█ ██ │ Houston returned with her third album, I'm │ █▓▓▓▓▓░░█ ██ │ Your Baby Tonight, in 1990; a more │ █▓▓▓▓▓░░█ ██ │ urban-sounding, R&B-oriented record, it │ █▓▓▓▓▓░░█ ██ │ immediately spun off two number-one hits in │ █▓▓▓▓▓░░█ ██ │ the title track and "All the Man That I │ █▓▓▓▓▓░░█ ██ │ Need." But the quality of the material was │ █▓▓▓▓▓░░█ ██ │ generally viewed as, overall, much weaker │ █▓▓▓▓▓░░█ ██ │ than her previous efforts, and following │ █▓▓▓▓▓░░█ ██ │ those two hits, sales of the album tapered │ █▓▓▓▓▓░░█ ██ │ off quickly, halting around four-million │ █▓▓▓▓▓░░█ ██ │ copies. Nevertheless, Houston remained so │ █▓▓▓▓▓░░█ ██ │ popular that she could even take a recording │ █▓▓▓▓▓░░█ ██ │ of "The Star Spangled Banner" (performed at │ █▓▓▓▓▓░░█ ██ │ the Super Bowl) into the pop Top 20 though, │ █▓▓▓▓▓░░█ ██ │ of course, the Gulf War had something to do │ █▓▓▓▓▓░░█ ██ │ with that. In retrospect, the erratic quality │ █▓▓▓▓▓░░█ ██ │ of I'm Your Baby Tonight seemed to signal │ █▓▓▓▓▓░░█ ██ │ Houston's declining interest in making fully │ █▓▓▓▓▓░░█ ██ │ fleshed-out albums. Instead, she began to │ █▓▓▓▓▓░░█ ██ │ focus on an acting career, which she hadn't │ █▓▓▓▓▓░░█ ██ │ pursued since her teenage years; she also │ █▓▓▓▓▓░░█ ██ │ married singer Bobby Brown in the summer of │ █▓▓▓▓▓░░█ ██ │ 1992. Her first feature film, a romance with │ █▓▓▓▓▓░░█ ██ │ Kevin Costner called The Bodyguard, was │ █▓▓▓▓▓░░█ ██ │ released in late 1992; it performed well at │ █▓▓▓▓▓░░█ ██ │ the box office, helped by an ad campaign │ █▓▓▓▓▓░░█ ██ │ which seemingly centered around the climactic │ █▓▓▓▓▓░░█ ██ │ key change in Houston's soundtrack recording │ █▓▓▓▓▓░░█ ██ │ of the Dolly Parton-penned "I Will Always │ █▓▓▓▓▓░░█ ██ │ Love You." In fact, the ad campaign │ █▓▓▓▓▓░░█ ██ │ undoubtedly helped "I Will Always Love You" │ █▓▓▓▓▓░░█ ██ │ become the biggest single in pop music │ █▓▓▓▓▓░░█ ██ │ history. It set new records for sales (nearly │ █▓▓▓▓▓░░█ ██ │ five-million copies) and weeks at number one │ █▓▓▓▓▓░░█ ██ │ (14), although those were later broken by │ █▓▓▓▓▓░░█ ██ │ Elton John's "Candle in the Wind 1997" and │ █▓▓▓▓▓░░█ ██ │ Mariah Carey and Boyz II Men's "One Sweet │ █▓▓▓▓▓░░█ ██ │ Day," respectively. Meanwhile, the soundtrack │ █▓▓▓▓▓░░█ ██ │ eventually sold an astounding 16-million │ █▓▓▓▓▓░░█ ██ │ copies, and also won a Grammy for Album of │ █▓▓▓▓▓░░█ ██ │ the Year. │ █▓▓▓▓▓░░█ ██ │ │ █▓▓▓▓▓░░█ ██ │ Once Houston had stopped raking in awards and │ █▓▓▓▓▓░░█ ██ │ touring the world, she prepared her next │ █▓▓▓▓▓░░█ ██ │ theatrical release, the female ensemble drama │ █▓▓▓▓▓░░█ ██ │ Waiting to Exhale. A few months before its │ █▓▓▓▓▓░░█ ██ │ release at the end of 1995, it was announced │ █▓▓▓▓▓░░█ ██ │ that she and Brown had split up; however, │ █▓▓▓▓▓░░█ ██ │ they called off the split just a couple │ █▓▓▓▓▓░░█ ██ │ months later, and rumors about their │ █▓▓▓▓▓░░█ ██ │ tempestuous relationship filled the tabloids │ █▓▓▓▓▓░░█ ██ │ for years to come. Waiting to Exhale was │ █▓▓▓▓▓░░█ ██ │ released toward the end of the year, and the │ █▓▓▓▓▓░░█ ██ │ first single from the soundtrack, "Exhale │ █▓▓▓▓▓░░█ ██ │ (Shoop Shoop)," topped the charts; the album │ █▓▓▓▓▓░░█ ██ │ sold over seven-million copies. For her next │ █▓▓▓▓▓░░█ ██ │ project, Houston decided to return to her │ █▓▓▓▓▓░░█ ██ │ gospel roots; the soundtrack to the 1996 film │ █▓▓▓▓▓░░█ ██ │ The Preacher's Wife, which naturally featured │ █▓▓▓▓▓░░█ ██ │ Houston in the title role, was loaded with │ █▓▓▓▓▓░░█ ██ │ traditional and contemporary gospel songs, │ █▓▓▓▓▓░░█ ██ │ plus guest appearances by Houston's mother, │ █▓▓▓▓▓░░█ ██ │ Shirley Caesar, and the Georgia Mass Choir. │ █▓▓▓▓▓░░█ ██ │ Houston also began making headlines for what │ █▓▓▓▓▓░░█ ██ │ appeared to be increasing unreliability, │ █▓▓▓▓▓░░█ ██ │ cancelling several TV and concert appearances │ █▓▓▓▓▓░░█ ██ │ due to illness. │ █▓▓▓▓▓░░█ ██ │ │ █▓▓▓▓▓░░█ ██ │ In 1998, Houston finally issued a new, │ █▓▓▓▓▓░░█ ██ │ full-length album, My Love Is Your Love, her │ █▓▓▓▓▓░░█ ██ │ first in eight years. Houston worked with │ █▓▓▓▓▓░░█ ██ │ pop/smooth soul mainstays like Babyface and │ █▓▓▓▓▓░░█ ██ │ David Foster, but also recruited hip-hop │ █▓▓▓▓▓░░█ ██ │ stars like Missy Elliott, Wyclef Jean, Lauryn │ █▓▓▓▓▓░░█ ██ │ Hill, and Q-Tip. The album sold even fewer │ █▓▓▓▓▓░░█ ██ │ copies than I'm Your Baby Tonight, but it │ █▓▓▓▓▓░░█ ██ │ received Houston's most enthusiastic reviews │ █▓▓▓▓▓░░█ ██ │ in quite some time. Moreover, it produced one │ █▓▓▓▓▓░░█ ██ │ of her biggest R&B chart hits (seven weeks at │ █▓▓▓▓▓░░█ ██ │ number one) in the trio number "Heartbreak │ █▓▓▓▓▓░░█ ██ │ Hotel," done with Faith Evans and Kelly │ █▓▓▓▓▓░░█ ██ │ Price. She also duetted with Mariah Carey on │ █▓▓▓▓▓░░█ ██ │ "When You Believe," a song from the animated │ █▓▓▓▓▓░░█ ██ │ film The Prince of Egypt. Unfortunately, │ █▓▓▓▓▓░░█ ██ │ Houston was also back in the tabloids in │ █▓▓▓▓▓░░█ ██ │ early 2000; she was arrested in Hawaii when │ █▓▓▓▓▓░░█ ██ │ airline authorities reportedly found │ █▓▓▓▓▓░░█ ██ │ marijuana in her luggage (the charges were │ █▓▓▓▓▓░░█ ██ │ later dismissed). Speculation about Houston's │ █▓▓▓▓▓░░█ ██ │ personal life only grew when she was dropped │ █▓▓▓▓▓░░█ ██ │ from the Academy Awards telecast that March, │ █▓▓▓▓▓░░█ ██ │ officially because of a sore throat, but │ █▓▓▓▓▓░░█ ██ │ reputedly due to poor rehearsals and a │ █▓▓▓▓▓░░█ ██ │ generally out-of-it air. Later in the year, │ █▓▓▓▓▓░░█ ██ │ Arista released the two-disc compilation │ █▓▓▓▓▓░░█ ██ │ Greatest Hits, which actually featured one │ █▓▓▓▓▓░░█ ██ │ disc of hits and one of remixes; it also │ █▓▓▓▓▓░░█ ██ │ included new duets with Enrique Iglesias, │ █▓▓▓▓▓░░█ ██ │ George Michael, and Deborah Cox. It was also │ █▓▓▓▓▓░░█ ██ │ announced that Houston had signed a new deal │ █▓▓▓▓▓░░█ ██ │ with Arista worth 100-million dollars, │ █▓▓▓▓▓░░█ ██ │ requiring six albums from the singer. In late │ █▓▓▓▓▓░░█ ██ │ 2001, Arista released another compilation, │ █▓▓▓▓▓░░█ ██ │ the love-song-themed Love, Whitney. │ █▓▓░░░█ │ ██ │ ▀███▀ │ █▓▓█ │ └───────────┬──────────────────────█░▓█─────────┘ │ ██ ▄████▄ │ █▓▓▓▓▓▓█ ┌─────────────────────────────────────┴─────┐ █▓▓▓░▓▓▓▓█ │ .: X X L - N O T E S :. │ █▓▓▓▓▓░▓▓▓▓█ │ │ █▓▓▓▓▓▓▓▓▓▓█ │ XXL was established early in 2002 by a │ █▓▓▓░▓▓░▓▓▓█ │ group of DJs with the goal of ripping │ █▓▓▓▓▓░▓▓░░█ │ music, and having fun doing it. Since then│ █▓▓▓▓▓▓░░█ │ we have realized our original goal, and │ █▓▓▓▓░░█ │ have become one of the biggest suppliers │ ▀████▀ │ of DJ related music, while still managing │ │ maintain our laid back approach to life │ │ and ripping. │ │ │ │ Although we have been around for some time│ │ now, and are respected by many, we are │ │ always looking for new people to join our │ │ fun loving family whether you're a DJ/not.│ │ │ │ We are currently looking for: │ │ * Suppliers of unreleased music │ │ * Retail cd suppliers. │ │ * Individuals working at record stores. │ │ * Anyone who can better XXL │ │ │ │ We are also looking for an internal WHQ │ │ for the private use of XXL members with │ │ the minimum requirements of 30Gigs of │ │ storage, and speed of 100mbit. Great │ │ benefits for people who can provide any of│ │ the things mentioned above. If you feel │ │ this is you contact us via our email at │ │ [email protected] our irc channels │ │ have been closed. ├───┐ │ /The XXL crew │ │ └───────────────────────────────────────────┘ │ │ ┌──────────────────────────────────────────────────┴───────────────────────┐ │ .: G R E E T I N G S :. │ │ │ │ Shout outs to WHOA for helping us out and RNS for being the designers of │ │ the scene. Shouts also go out to CMS, RAGE, BPM, dB (of course), GsM, │ │ BMI, CHR, SC, EVIGHET. Big up to everyone making the scene happen, │ │ stay up! │ │ │ │ "LETS KEEP THIS SHIT LYRICAL YO!" *THE XXL BRAND* 2003 │ └──────────────────────────────────────────────────────────────────────────┘ /Last updated: 04.02.03 by xxls girl