Puma_Blue-In_Praise_Of_Shadows-(BFMLP001CD)-CD-2021-SHGZ

Tracklist (M3U)
# Filename Artist Songname Bitrate BPM
1 01-puma_blue-sweet_dreams.mp3 Puma Blue Sweet Dreams Unknown Unknown
2 02-puma_blue-cherish_(furs).mp3 Puma Blue Cherish (furs) Unknown Unknown
3 03-puma_blue-velvet_leaves.mp3 Puma Blue Velvet Leaves Unknown Unknown
4 04-puma_blue-snowflower.mp3 Puma Blue Snowflower Unknown Unknown
5 05-puma_blue-already_falling.mp3 Puma Blue Already Falling Unknown Unknown
6 06-puma_blue-sheets.mp3 Puma Blue Sheets Unknown Unknown
7 07-puma_blue-olive_-_letter_to_atl.mp3 Puma Blue Olive / Letter To ATL Unknown Unknown
8 08-puma_blue-oil_slick.mp3 Puma Blue Oil Slick Unknown Unknown
9 09-puma_blue-silk_print.mp3 Puma Blue Silk Print Unknown Unknown
10 10-puma_blue-is_it_because.mp3 Puma Blue Is It Because Unknown Unknown
11 11-puma_blue-opiate.mp3 Puma Blue Opiate Unknown Unknown
12 12-puma_blue-sleeping.mp3 Puma Blue Sleeping Unknown Unknown
13 13-puma_blue-bath_house.mp3 Puma Blue Bath House Unknown Unknown
14 14-puma_blue-super_soft.mp3 Puma Blue Super Soft Unknown Unknown
NFO
-=- SHGZ -=- * Shoegaze * Indie * Post-Rock * Grunge * Dream Pop * Psych-Rock * Ethereal * ARTIST..: Puma Blue ALBUM...: In Praise Of Shadows GENRE...: Alternative STYLE...: Alternative R&B, Downtempo, Bedroom Pop, Neo-Soul, Blues, Hypnagogic Pop, Dream Pop YEAR....: 2021 LABEL...: Blue Flowers COUNTRY.: United Kingdom PLACE...: London, Greater London BORN....: 24 February 1995 ENCODER.: LAME 3.100 -V0 BITRATE.: 240 kbps avg QUALITY.: 44.1kHz / Joint Stereo SOURCE..: CD TRACKS..: 14 SIZE....: 89.10 MB URL..: http://www.facebook.com/pumabluemusic - TRACKLIST 1 Sweet Dreams 2:40 2 Cherish (furs) 3:52 3 Velvet Leaves 5:03 4 Snowflower 3:15 5 Already Falling 4:16 6 Sheets 2:49 7 Olive / Letter To ATL 1:03 8 Oil Slick 5:50 9 Silk Print 4:11 10 Is It Because 6:06 11 Opiate 2:31 12 Sleeping 1:07 13 Bath House 4:10 14 Super Soft 4:29 Total Playtime: 51:22 Puma Blue's debut album, "In Praise of Shadows", is a downtempo sonic dreamland that reflects the artist's journey towards self-acceptance. The south Londoner's debut confronts the emotions that have been keeping him in the darkThe album's title suggests a celebration of life in its rawest form, embracing both light and darkness. * The south Londoner's debut confronts the emotions that have been keeping him in the dark For nigh for a decade, Puma Blue - aka Jacob Allen - was trying to live a life plagued by insomnia. He says that the affliction resulted in barely a couple hours of sleep at night, and in a recent interview, adds that it was "compounding a depression", his woozy music reflecting that period of restlessness. He credits a new partner for lifting the fog and bringing him out of the state; the songs on this debut album reflect that breakthrough. His songwriting has always been an evocative one, in spite of the struggles. Since the release of his debut single 'Want Me' in 2017, and EPs 'Swum Baby' and 'Blood Loss', the monstrous streaming numbers and sell-out shows came naturally. A genre-defying sound - shades of King Krule, Mac Miller and James Blake - helped create a hazy dreamland for listeners to get lost in. 'In Praise Of Shadows' traces the 25-year-old's journey towards self-acceptance with an openness that was previously absent. Adding that he felt he must confront "the balance of light and dark, the painful things you have to heal from or accept", it's clear that the darkness that once dominated no longer seems to control him. Instead, much like the album's title suggests, he makes himself vulnerable to the pain in order to accept and move beyond it. The maturity is a welcome one, distancing him from the tortured, self-described 'voicemail ballads' of his early work. While there are moments on tracks like 'Opiate' and 'Velvet Leaves' where darkness and delirium win-out, by and large 'In Praise Of Shadows' is a celebration of life in its rawest form. He shifts between minimalist production and complex layers of sound: twinkling guitar and woozy synths compliment the hip-hop beats and soulful melodies. Most notably on 'Velvet Leaves', where jazz-inflected drums and hip-hop beats mesh subtly, allowing his tender vocals - on which he ruminates on a sibling's suicide attempt - to cut through the haze: "gotta stay strong for the little one / who found you in your room". Allen continues the trend of bedroom musicians not just utilising those spaces as a means, but for creativity too: "my guard is down when I write and record at home. I don't shelter from my feelings", he says. His vulnerability permeates every corner of the record - the closeness of his breath ('Super Soft') or fuzzy falsetto vocals on ('Sweet Dreams') - as Allen's lo-fi production does nothing to dispel the notion that we're eavesdropping on his innermost thoughts. At a time where many encumber sleepless nights and intense self-reflection, Puma Blue's debut may well provide a brief moment of relief for those lost in the darkness. * The debut full-length album from London's Puma Blue, 2021's In Praise of Shadows, showcases his hypnotic blend of lyrical indie rock and jazzy, '90s-style downtempo electronica. The stage name of singer/songwriter and producer Jacob Allen, Puma Blue first garnered buzz for his equally atmospheric EPs, 2017's Swum Baby and 2018's Blood Loss. In Praise of Shadows finds him further expanding his guitar- and vocals-based sound, weaving in a dusky blend of analog and electronic textures. Try to imagine something along the lines of Jeff Buckley recording at home with J Dilla, and you won't be far off from the narcotic bedroom vibe Puma Blue conjures here. Poetically titled cuts like "Velvet Leaves," "Opiate," and "Slick Print" mix Allen's hushed vocals with shimmering guitar riffs and head-nodding beats that he pushes way up in the mix. Elsewhere, he draws upon an otherworldly combination of influences, his harmonized, double-tracked vocals evoking a surprising concoction of Sade and Low on the ballad "Silk Print." Similarly evocative, "Oil Slick" nicely updates the vintage trip-hop of bands like Morcheeba and Massive Attack with its frenetic groove, strings, and sax solo. It's also impressive how balanced Puma Blue's sound can be, intentionally threatening to fall off the page with a lo-fi guitar sample one second and then diving into a mesmerizingly seductive R&B groove the next, as on the D'Angelo-esque "Is It Because." With In Praise of Shadows, Puma Blue has crafted a deliberate slow burn of a debut album you'll enjoy taking your time with. * Most everyone has seen the numerous videos on YouTube titled something along the lines of 'chillhop study' or 'work beats 24 hours'. The reason why this type of music is used by many while performing various activities is because it is perfect to be played in the background; it does not distract or divert one's attention from the task at hand. However, could music that sounds this way elicit an emotional response and, in this way, distract one from working? Jacob Allen aka Puma Blue gives the listener exactly that. His debut album In Praise of Shadows can be deceiving; although it sounds soothing and is in the same vain as those work music playlists, it does not let the listener focus on anything else - there is genuine emotion in these tracks that must be acknowledged. In Praise of Shadows already showcases the development of Puma Blue as an artist. His first EP Swum Baby was quite reminiscent of early King Krule or a much softer version of boy pablo. This record strays away from all of that and here Allen expresses his jazzy and even R&B influences. At certain points, Allen seems to be almost mimicking the sound of other moody indie-pop bands, but it is not copy-pasting; in subtle harmonic details Puma Blue personalizes this sound. Certain points in the album sound quite cinematic; tracks like "Sheets" and "Is It Because" could easily be envisioned in a modern arthouse piece such as Richard Linklater's Before Sunrise or a Wes Anderson picture. Perhaps the greatest aspect of In Praise of Shadows is its diversity of sound. In a lo-fi indie-pop record of this kind it is quite a rarity to hear various influences coexisting in such harmony; mostly because there are few albums that cover a wide range of influences. As mentioned before, it radiates strong chillhop study beats vibes, which is more on the hip-hop spectrum than anything else, while at the same time it can be reminiscent of the heavily reverberated style of Cigarettes After Sex, while Allen's vocal style is akin with that of The xx's Oliver Sim. At the same time, the entire album is enveloped in very jazz-influenced sounds that could be likened to the band Morphine if their arrangements were made by Mac Demarco. Closing track "Super Soft" even brings in a surprising acoustic sound that throws Phil Elverum into the mix of influences. The main drawback of In Praise of Shadows is its awkward pacing, which starts to lose intrigue as it stretches to its 52-minute runtime. Fortunately, this is made up for with two great finishing tracks that just about manage diminish the rising sleepiness. Puma Blue's debut LP is certainly a new step in Allen's development as an artist. This album was reportedly influenced by the Nomadic lifestyle that he took on while recording it, as well as a personal tragedy, but one of the greatest aspects of In Praise of Shadows is the lack of need to know this in order to enjoy it. Allen's songwriting is the sole thing that needs to be focused on; the impressiveness comes from the variety of sounds and the subtle details. It would be truly surprising if someone were able to use this as background music. -=- SHGZ -=- -=-=-==-=-=- Shoegaze is a genre of alternative rock that originated in the late 80s. The genre is very difficult to define, and it is even more difficult to evaluate music within it. Generally, the genre is characterized by its shimmering vocals, reverberating guitars, and textural distortion that create a tranquil, opaque feeling. ---==--==---

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