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▓█▌▐█▌  ▓▀    ▀▀ ▓▀   ▀▓    ▀▀▀    ██▓ ██ ▀▀               ▀  █▌       ▓ ▀▀▀▀ ▀ ▐█▓ ▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▓██▄█▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀   ▀▀▀▀▀▀ ▌▀ ░▓█▓░ ▀█▄                ▓▐█▀▀                      ░▓█▓░ ░█▓░░  ▓                      ▓        ▓░▓█░  ░▓▄█████▄░   ▄ ▄  ▓▄██████▄░  ░▐██▀▀▀▀███▓░ ▀▓▀ ▀▓▀ ░███▀▀▀▀██▄▓ ▀▀▀   ▀▀▀▀▀▀  ▀▀▀▀▀   ▀▀▀ ███  ████▀    ▄▀▀▄▄█████▄▄ ▄▄█████▄▄▀▀▄   ▀████   ██  ██   ▀██▄▐▄  ■ ▄██▀▀ ▀██▄ ▄ ▄██▀ ▀▀██▄ ■ ▄ ▄██▌   ▐█▓  ░▓▄   ▀██▄▀▓█▄▄▄█▀▀ ▄ ▄▓▓▄ ▐█▌ ▌ ▀▓▀ ▐▓▓▌ ▄▓▓▄ ▄ ▀▀▓▄▄░▄██▀   ▄▀      ▓░▓▄███   ▐▀ ▀▓▀ ▀▀ ▄██▀ ▀██▄ ▀▀ ▀▓▀  ▀███▄ ▓▓        ▄██▀▓   ■ ▀▄▀ ▀▄▀ ■   ░▀███░       ▓███▓     ░░ ▐▌ ▐▌     ░███▓      ███▌░  ▀ ▀ ███▓    ▐██▀ ▀███░   ██▌  Artist...: Sacrodeath ░▐██▌  ░▐██   Album....: Maestros de la Tiranφa  ░██▌░ ▓▐██   Year.....: 2025  ▓▐██▓ ▓▐██   Rel. Date: 2026-05-23  ░▐██▓  ▐██   Genre....: Thrash Metal   ██▌░ ░ ██▌  Label....: Mayko's Records   ██▌    ▐██  Source...: CD  ▐██    ░▐██▌ Type.....: Album ▐██▌░  ▓▄████ Quality..: VBR, 44.1kHz, 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░▄▀▀▄█▓░ ▓▓█░████▓███░██▀▓▓███▓ ▓██▓▐█▌ ███▄▄   ▐███▄ ▓▄█▀▀  ▐█▄█▀  ▄▀▀░ ▄█▀░ ░ ▓████████▐██████▓█▓ ▓█ ██  ░█▓ ▐█▄▓██▄██▄▐█▌░   ▐██▌▓▄█▀▓    ▄▄▀▀▀▀▄▄▄ ▓██▓▓▓▀▄████▐░███ █░█▌▄ ▐█▀██▀ ██▀   ▀███▄▄█▓ ███████▄▓▀▀▀▀▄▓  ░▄██▓ ▓ ▓██▓▀▄█████▓ ▄▄▀▀▓▄▄█▄▐█▄▄▓▄▄▄▄▄▄▄░▄░░░▄▄▀▄▄▀█░▄▄▄▄▄▄▐█▌ ▄██▀▄▄▄▄▄▄ ██░████ ▓     ░  ▓██░                        ▓█▄█▀     ▓██████            ▀▀▄▓                      ▓▀▀▀       ▓ █ 1. Cφrculo Vicioso 3:35 2. Arquitecto del Mal 4:54 3. Ciego en las Cenizas 4:20 4. Alquimia de Sangre 3:27 5. Dioses 4:16 6. La corrupci≤n de la Fe 4:22 7. Edorca 3:21 8. Soldados del Terror 4:09 9. Heredando la Esclavitud 2:55 10. Children of the Grave (Black Sabbath cover) 5:25 40:44 Sacrodeath delivers a fast-paced and energetic album with their release ôMaestros de la Tirania,ö which came out toward the end of 2024. In a decade marked by a world that seems to be in a constant state of turmoil, where harmful ideas once thought to be a thing of the past resurface in the public sphere with unexpected vigor, revealing a global society that appears quite decadent. In such an adverse context, music, like other art forms, serves as an outlet and a reflection of the chaotic world we live in; bands like Sacrodeath are here to fulfill that important mission. The band currently consists of Marcos Salinas on guitar, Felipe Salinas on bass, Erik Ojeda on drums, and Juan Fern?ndez on vocals. Active since 2004, this band hailing from ChileÆs V Region cultivates a rather aggressive Death/Thrash style with a certain street-style edge, whose themes are inspired by sociopolitical and religious issues. Musically, they are a prolific group with several splits, EPs, and three full-length albums: ôFin de Los Tiemposö (2017), ôEngendro del Caosö (2023), and ôMaestros de la Tiran?a,ö released on December 8, 2024. Diving right into the album, ôMaestros de la Tiraniaö greets us with a very Æ80s-style cover, but in very muted colors, depicting a somewhat gaunt woman in a dark room with her back turned to a series of screens showing powerful and macabre figures such as a pope, a lodge leader, a blood-stained Stars and Stripes flag, and a certain president representing that flag. With such a striking presentation, all thatÆs left is to hit play on the album. ôCirculo Viciosoö kicks off with a very American-style thrash sound, featuring heavy riffs, somewhat tribal drums, and a heart-wrenching ômelodicö vocal style that sings about how lies and wars keep humanity trapped in a vortex from which there is no escape. Here we have a very energetic song that, although it feels a bit generic at times, gives us a good kickstart for whatÆs to come. ôArquitecto del Malö begins with the voice of a news anchor, a song that at the start brings to mind a sound very much in the style of SlayerÆs ôHell Awaits.ö The song tells the true story of Rex Heuermann, a New York architect and serial killer who murdered several sex workers. This track stands out for its powerful blast beats and a fast, rising rhythm, a brief but frenetic guitar solo, as well as a powerful chorus that goes ôarchitect of evil, a tale of terroröùa chorus that stays in the listenerÆs head for a long time. From HeuermannÆs grim story, we move on to the song ôCiego en las Cenizas,ö which begins with a bass line that takes center stage and is superbly accompanied by the rest of the instruments, especially the drums, which seem to follow its rhythm in perfect sync, with a double bass drum providing an impeccable foundation, while, on the other hand, JuanÆs voice recounts a depressing and rage-filled vision of the world, using a vocal style that shifts between guttural passages and more heart-wrenching ones. This technique inevitably brings to mind the band Nails of The Cross, which is no coincidence since this is Juan FernandezÆs other musical project. ôAlquimia Sin Leyö is a very compact, heavy, fast track with plenty of ôtuca tucaö and drum rolls; it also features a chorus that angrily repeats the phrase: ôblood for blood, spirits of evil, lawless alchemy.ö ôDiosesö brings us ever-changing percussion, thrash-style riffs, and a galloping rhythm to tell us about the gods of humanityÆs dawn, in a track that, both instrumentally and vocally, is one of the most interesting on this album. With an opening that brings to mind SlayerÆs album ôWorld Painted Blood,ö comes what I consider the best track on this full-length: ôLa corrupcion de la fe.ö In this song, every element is in the right place: a rebellious message that lingers like a reverberating echo, a resonant and clear bass, a crushing guitar, precise drums, and a voice that utilizes all its technique and fury when singing. ôEdorcaö is a track that starts off a bit slower than its predecessors at first, but is no less heavy for it; itÆs a song that builds steadily. ôSoldados del Terrorö is a very ôold schoolö thrash track loaded with anti-war political lyrics; musically, it features a standout instrumental section that showcases the skill of each band member. With a machine gun-like drumbeat, ôHeredando la Esclavitudö kicks offùa steamroller of blast beats and riffs that hit you hard, while the lyrics immerse us in a vision of a world where freedom no longer exists.As we reach the end of this intense journey, a true metal classic begins to play: ôChildren of the Graveö by the indomitable Black Sabbath, performed almost identically by Sacrodeath but with two variations: the first being that the song is performed in Spanish, and the second being the replacement of the melodic vocals with guttural growls, which give this version its distinctive character. If one had to define Sacrodeath in a few words, they would be: three albums, a critical message, and a sonic evolution that ranges from a rather raw death metal on their first album to a sound with more dynamic rhythms on their second, culminating in a more balanced fusion of aggression and speed on their latest release. ôMaestros de la Tiraniaö is undoubtedly a product of its time, an album steeped in rage in its lyrics and brutality in its sound. This full-length album feels like an ascending staircase that, as you climb it, reveals increasingly magnificent elements: heavier drums, more pronounced bass lines, more frenetic solos, and a voice that, from the very first second, guides you through a dizzying narrative. In conclusion, if you like hard, aggressive metal with strong social commentary, ôMaestros de la Tiraniaö has a journey full of destruction waiting for you.                                                                                                     ▀▀░                                                                                                                ░▄▀                                  ▄█▀                                             ░▄           ░▐███░               ▀█░▄▄▄                    ▄░       ▀█░░                      ░           ▀▀░                                         ▄  ░                                          ▄     █          ▀                 ▄              ▄█▄ ▄ ██▄         ▀░▀     ▄         ▀                ▀░▀   ▀         ▀▀████████▀░                   ▀ ▄      ░                      ░░       ░▀██▀                    ▀██▄                ▄               ▐     ░      ░  █▀▄    ▐▓▓▌   █                    ▄   ▄▄       ░                    ▄▄▌█  ▄▄▓▓▓▀  ▄                      ▄ ▀   ████      ░                   ▐███▌  ░ ░                  ▄██▀     ▄▄██▄▄           ░           ▄▄███▄▄ ▄  ▓                         ▐▓▓▌  ░   ▓████▄        ▀          ▀    ▓█████▓  ▀ ▄                           ▀▓▓▓▄▄   ▐▓███ ▌                       ▌█████      ▀██▄   ▄                ░▄  ▀▀██▄▐████ ▌▐ ▌▓                ▓▐ ▌█▓███       ▐▓▓▌ ▀░▀           █    █  ░ ░▓▐████▄▌▐ ▌▌ ▌▌▐ ▌▐▄ ▐▐·▌▌▐▐ ▐ ▄█████    ▄▄▓▓▓▀                            ▓ ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐▓▐▐ ▌▌▐▐ ▐ ▌█████ ▄█▓▀▀  ▄░ ░            ▄▄▄░      ▓     ░▐████▄▌▐▄▌▌▄▌▌▐ ▌▐▐▄▐▐▄▌▄▐▐▓▐▄▌█████ ▓     █               █████      ▐▄░   ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓░   ▄         ▐▓    █▓███░    ▓▐█░▄▄  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐█ ▐▐ ▌▌▐▐ ▐ ▌█████    ▄██▄ ▀ ▄      █▌    █████▓   ██▀█▀▀   ▐█▓██ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▌███▓█   ▐█▓██▓   ▀██▄ ▀██▀   █████▓░    ▓█▌    ▐████▓▌▐▄▌▌▄▌▌▄ ▌▐▐▄▐▐▓▌▌▐▐▄▐▄▌█████   ▐████▌    ▐▓▓▌▓█▌   ▄█▓███▄░     ▐█▄▓  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▀█▓███   ▐████▌ ▄▄▓▓▓▀  █▓  ████████▄▄▓ ▄█████▌ ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓████▌░ ▄▄   ▄▄█▄▄ ██████████████████████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄     █████  ░██▓████▓██▓▓██████ █░█████▄▀█▄░████████▄▄▄▄▄██████▓████████░██████▄▄▄▄▄███████░▄██░█░█████████ ▓██▀█████▓░░ ░ ░ ░ ░ ░ ░░░▓███▓█████ ████████▓ ▓██▓▐████▓ ▓██ █░███ █░██████▓ ███▓▄▀█▓ ▓ ▓█████▓███████ ▓███ ░▄▄▄▓████▓ ▓████████▓ ▓██████▓ ▓████▓