▄█████▄ ░█████▄ ▄████▄░█▄ ░█▄ ▄█████▄ ███▄██ ▄██ ▄█▄ ▄██████ ▄█▄ ▄███ ░████░██▀████▓ ▀██ ▄██░▀█████ ████ ███▓ ██████▓██ ▓███████ ███▓░▀█▀████ ███▓ ███▓ ▓███░ ██ ██▄ ▄██▓██ ▓███▓██░ ▓███░███░███████████▄ ███░███░ ███░ ▄███ ███ ▄█▀░ ████████░██ █████████▄ ▓██░███ ███▓█████████ ███████ ███ ███░ ███████ ███▓ ░██ ██ ██████▓ ░██ ▀██ ███░███▓██████ ███▓███ ███ ███ ████████░███░ ███ ██▄ ██▓███░ ██▄ ██░██▓ ███ ▀▀████ ███░███ ███ ███ ███▓░███████░ ███ ███▓██ ███ ███▓██▓██░ ███ ▓████ ███ ███ ▓██▓ ███ ███░ ▓██████ ███ ▓████ ▓██▄ ▓████████ ███ ▓███ ███ ███ ███░███ ███ ░██████ ███ ░████ ░███ ███▓███▓ ███ ░███ ███ ███ ██▓███ ███ ███▓██ ███ ███ ▓██▄ ███░███░ ███ ███ ███ ███ ░█████ ███ ██▓░██▄ ███ ▓█▀ ▓██▄ ███ ██░ ███ ██▓ ███ ███ ░███▀ ░█▀ ██░ ██ ░█▀ ░███▄ ▀ ▀ ▓█▀ ███░ ░█▀ ██▀ ██░ ▄██▀ ░█▄ ▄███▀ ░██ ░ ██ ▓░ ▓░ ██░ ▓█░ ░█▀ ▀█░ ░█▓ ░ ██ ██ Artist: Aborym ██ ██ ▓ █░░ ■█ Album: SHIFTING.negative █■ ░░█ ■ █▓▀ █ Year: 2017 █ ▀▓█ ░ █ ▓ Rel. Date: 2017-02-21 ▓ █ ▒ ▒ Genre: Industrial ▒ ▒ █▄ ░ Label: Agonia Records ░ ▄█ ░ █▄ ░ Source: CD ░ ▄█ ░ █▓ Type: Album ▓█ ░ ▓ █ Quality: VBR, 44.1kHz, Joint Stereo █ ░ ▓ ▓ █ █ ░ ▓ ▄ ■ ■ ▓ ■ ░█ █░ ▀ █ Certainly one of the most innovative bands to █ █ appear in the modern Black Metal scene, Aborym █ █ (which take their name from Haborym Sadek Aym, the █ █ duke that controls the twenty-six legions in Hell) █ █ have been spreading their demonic insanity since █ █ they first formed back in 1991. Inspired by █ █ Mayhem, Darkthrone, Deicide, Destruction and █ █ classic originators such as Celtic Frost and █ █ Bathory; Aborym produced original songs which █ █ mixed ambient, techno/noise with standard █ █ Black/Death Metal since the very beginning, and █ █ has generated an even more distinct sound with the █ █ latest releases. Their first recording ever was in █ █ 1993, the demo titled "Worshipping Damned Souls". █ █ █ █ The band's original line-up didn't last long but █ █ after a long period of rest (the split up happened █ █ a year after their formation and gave birth to █ █ side-projects such as Funeral Oration and █ █ M.E.M.O.R.Y. Lab) the act came back to life (in █ █ 1997, to be precise). Yorga S.M joined as vocalist █ █ but he was soon kicked out and replaced by the █ █ mighty Attila Csihar Dracula (Tomentor, Mayhem, █ █ Plasma Pool) after the recording of "Antichristian █ █ Nuclear Sabbath". █ █ █ █ Finally, the very first Aborym full-length album █ █ was recorded: "Kali Yuga Bizarre". The LP featured █ █ songs such as "Roma Divina Urbs" which became █ █ instant classics and which marked the band as one █ █ of the best 'new wave' Black Metal bands on the █ █ planet and leaders of 'elitistic satanik music', █ █ the minor substyle they created. Satanikkk █ █ Terrorists's Nisrok S. Sathanas joined the band █ █ after that record and he would then appear in the █ █ following releases. █ █ █ █ "Fire Walk With Us" and "With No Human █ █ Intervention" were then released in the following █ █ years and were an even greater success than it's █ █ predecessor. █ █ █ █ Contrary to what popular belief, the number '666' █ █ is not part of the band's official name, █ █ regardless of the fact that it has been part of █ █ their official logo since their 2003 full-length. █ █ █ █ At their beginning, Aborym welcomed Attila Csihar █ █ solely as a guest vocalist for their debut album. █ █ Then, on "Fire Walk with Us!" and "With No Human █ █ Intervention", he took the reigns and covered all █ █ vocal duties. But as of March 2005, Attila left █ █ Aborym to rejoin Mayhem. █ █ █ █ Aborym originally used a drum machine for most of █ █ their albums, with Faust once or twice making a █ █ guest appearance at live gigs with the band. █ █ █ █ The band participated in a 2003 tribute album to █ █ Burzum, "Visions", contributing a cover of "Det █ █ som en gang var," which was also found on "Fire █ █ Walk with Us!". █ █ █ █ http://www.aborym.it █ ▓ ▓ ▒ ▒ ░ 1. Unpleasantness 5:54 ░ ░ 2. Precarious 5:47 ░ ░ 3. Decadence in a Nutshell 3:40 ░ ░ 4. 10050 Cielo Drive 3:21 ░ ░ 5. Slipping Through the Cracks 4:17 ░ ░ 6. You Can't Handle the Truth 3:40 ░ ░ 7. For a Better Past 6:05 ░ ░ 8. Tragedies for Sale 4:34 ░ ░ 9. Going Places 4:31 ░ ░ 10. Big H 5:22 ░ ░ 47:11 ░ ░ ▒ ▒ ▓ █ ░ ▓ ░ ■ █▄ ░ ██ ▀█▄░ ▄▄▄▄▄ ▓ ░ ▄▄▄▄▄ ░▄██░ ░ ▀████▓█▄▄█████████▓░ ███ ███▓░ █████████▄▄██████▀ ▓ ▓▀▓ ▒███████▀▀ ▀████████▒ ░████████▀ ▀▀███████░▓▀▓ ■ ░ ▄█░█▀▀▄████▄▓ ▀█▀ █▓░ ▒▓█ ▀█▀ ▄████▄ ▀███▄░ ▄█▀░ ░███▀▀▀███▄ ▀█▒ ██▓ ██ ▓█▀ ▄███▀▀▀███░ ▀█░ █▀ ▓██▓ ▄███ ▀█▓ ████ ▒█▀ ▓███▄ ▓██▓ ▀█▓ █▀ ▓██░ ▒██████▓ ▀█ █▓ █▀ ▓██████▒ ░██▓ ▀█ ▒ ▄██ ░███ ▓███▓ ▀░██░▀ ▓███░ ███ ██▄ ▒ ░█▀ ███ ▄▀ ███▄ ▓████▒ ▄███▀▄ ███ ▀█░ ▓█▀ ▄██▄█▀ ░ ██████████████ ▀█▄ ██▄ ▀█▓ █▀ ████▀█▄▓░▄█ ▀██████▀ █▄▓░▄█▀█▄██ ▀█▓ ░ ▄ ██▀ ▀████▀ ▀█▓▀██ ▀████▀ ▀███ ▄ ▒ █░█▓ ██░ █░ █ ░██ ▀██▒█ ███░ ▒█░ ▄ ▓ ▒ ░█▒ ▓███ ░ ▓██ ░ ██▓ ██░ ░██ █▒ ░ ░█ ▀█ █▀ ▓ ░ ░