| Genre | Unknown |
|---|---|
| Date (CEST) | 2024-12-28 16:02:45 |
| Group | GRAVEWISH |
| Size | 96 MB |
| Files | 9 |
| M3U / SFV / NFO | |
Epidaurus-Endangered-Reissue-CD-1999-GRAVEWISH
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-epidaurus-intro.mp3 | Epidaurus | Intro | Unknown | Unknown |
| 2 | 02-epidaurus-tonight.mp3 | Epidaurus | Tonight | Unknown | Unknown |
| 3 | 03-epidaurus-october_1919.mp3 | Epidaurus | October 1919 | Unknown | Unknown |
| 4 | 04-epidaurus-take_me_back.mp3 | Epidaurus | Take Me Back | Unknown | Unknown |
| 5 | 05-epidaurus-by_the_wayside.mp3 | Epidaurus | By the Wayside | Unknown | Unknown |
| 6 | 06-epidaurus-tinker_or_tailor.mp3 | Epidaurus | Tinker or Tailor | Unknown | Unknown |
| 7 | 07-epidaurus-between_the_lines.mp3 | Epidaurus | Between the Lines | Unknown | Unknown |
| 8 | 08-epidaurus-seed_in_your_heart.mp3 | Epidaurus | Seed in Your Heart | Unknown | Unknown |
| 9 | 09-epidaurus-without_you.mp3 | Epidaurus | Without You | Unknown | Unknown |
NFO
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██▌ Artist...: Epidaurus ░▐██▌
░▐██ Album....: ...Endangered ░██▌░
▓▐██ Year.....: 1999 ▓▐██▓
▓▐██ Rel. Date: 2024-12-22 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Garden of Delights ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Reissue ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Intro 2:40
2. Tonight 6:19
3. October 1919 4:10
4. Take Me Back 4:33
5. By the Wayside 5:59
6. Tinker or Tailor 5:21
7. Between the Lines 6:24
8. Seed in Your Heart 6:14
9. Without You 5:38
47:18
This is really fine progger to my taste but reviews are quite scepticalà
alright, these reviewers suck dicks, and this assumption explains all
that is written below.
---
Epidaurus released a good album in 1977 and then took a little rest...
Seventeen years actually! Times have changed in the meantime. So, did
the band. And not for the best.
The album nicely opens on an a spacey instrumental. It sounds as a good
start for a concept album, but unfortunately it won't be the case. I
quite liked the special and high pitched vocals from Chrisitane Wand so
what the heck do we need these weird male vocals during "Tonight"? And
even if "Tonight" is also pleasant, these vocals partially ruin it. Pop
influence is already present. Symph pop?
"October 1919" is my fave "Endangered" song. Another good instrumental
even if it is a bit repetitive.
Now, most of the following numbers are not really great. Mellow and
uninspired music. Vocals will have a more important role but I have to
say that the fantasy of their first work is gone. Most compositions
sound the same and when you listen to this album in a row, some sort of
dull feeling prevails.
The "climax" is reached with "Between the Lines". Believe me, there is
nothing to read between them. The worse here even if Christiane tries to
save it a bit. Actually, in this song her tone of voice reminds me
Jerney Kaagman (from "Earth & Fire").
Well, maybe that the worse was not reached, yet : "Seed In Your Heart"
is particularly hard to diggest. Poor "commercial" song (although I
doubt that the band could reach the charts with such a song). Pop /
disco with trumpets and tutti quanti. Bad, bad, bad.
Even if the mood is still on the mellow side, the closing number is
probably one of "best" song of the album. Nice acoustic intro (at last
we got rid of those awful rhythms) !
Absolutely not essential of course.
---
Well, after 17 years the german group Epidaurus came back with this CD.
Make no mistake, their sound changed, a lot! And not for the better,
unfortunately. Actually it is not bad music, but it is a completely
different band, even if they managed to reunite practically everyone
from the original outfit after all those years. Most of the stuff here
is simply too popish. Which is a pity really, since it is obvious they
are terrific musicians and Christiane Wand has a beautiful voice.
The quality of their material is quite uneven too, jumping from prog to
electronic to pop without warning. It lacks direction and personality,
as many tracks seem to be done by a different bands at times. Some songs
are nice (October 1919 and Between The Lines, for instance are fine pop
tunes, the former kind of a Genesis instrumental circa 1978 and the
latter reminds me of Renaissance around the time of Song For All
Seasons). But sometimes they just blow it (Seed Your Heart is just
terrible).
Conclusion: you better listen to this record before you even consider
buying it. Although - for my taste - not a complete disaster, it is
nothing like their promising, symphonic and very good debut in 1977.
---
Much worse than their debut. The biggest changes that has happened in
between are
1) dominant woman vocals (which became much more extensive)
2) simplified sound, even I've heard worse.
This is certainly step in a bad direction and after this, this is yet
another example of one album wonder + one disaster in form of follow-up.
Well, I was trying to find something good on this, but it's so hard.
Cheap melodies (strong melodic element actually, but not a good one),
almost to the point where it becomes very annoying.
Not good, it really isn't worth of adventurous listener's attention,
only for historical purposes and/or if you want to hear something
unchallenging, easy-listening music.
---
As I continue to review comeback albums after "raising a family"
absences, I couldn't help noticing that one of EPIDAURUS' children has
posted their 1996 "Endangered" album in its entirety on youtube. Well,
at least it must be a relative because of the following statement: "The
first album of Epidaurus and this One are gems of Symphonic Prog and
essential for every collector of Prog rock." Perhaps the only truth in
all of this lies in the term "collector", as in only a German symphonic
prog completist could procure this drivel and not feel cheated, provided
they never listened to it of course.
Let me hasten to add that even the band's debut fell somewhat short of
high end jewelry status, but it offered enough moments between elegant
instrumentals and Christiane Wand's vocals to be accorded due reverence
for their contributions to that creative epoch. Here we have a lazy pop
cum disco album with occasional symphonic and electronic arrangements
that at best ("Tonight", "October 1919") remind me of countrymen P'COCK
but not even to that level, and at worst (pretty much everything else
but especially "Seed in Your Heart"), would not pass for filler on
RENAISSANCE's awful archive album "Songs from Renaissance Days", which
was basically an album of also rans. If one might occasionally be
inclined to hum "By the Wayside" or "without You", that's just more in
the realm of self immolation than anything resembling a compliment.
So here we have it, a species which should be endangered, an album with
essentially no audience and no redeemability, and cruel punishment of a
band's modest legacy.
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