| Genre | Unknown |
|---|---|
| Date (CEST) | 2025-03-31 15:26:20 |
| Group | GRAVEWISH |
| Size | 67 MB |
| Files | 8 |
| M3U / SFV / NFO | |
Macula_-_Extinction_Remains-Untitled-Split-CD-2019-GRAVEWISH
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-macula-cultivando_certezas_rupteis.mp3 | Mácula | Cultivando Certezas Rúpteis | Unknown | Unknown |
| 2 | 02-macula-travessia.mp3 | Mácula | Travessia | Unknown | Unknown |
| 3 | 03-macula-muro_de_palavras.mp3 | Mácula | Muro de Palavras | Unknown | Unknown |
| 4 | 04-extinction_remains-swamp_of_destruction.mp3 | Extinction Remains | Swamp of Destruction | Unknown | Unknown |
| 5 | 05-extinction_remains-why.mp3 | Extinction Remains | Why? | Unknown | Unknown |
| 6 | 06-extinction_remains-ecological_collapse.mp3 | Extinction Remains | Ecological Collapse | Unknown | Unknown |
| 7 | 07-extinction_remains-plastic_sea.mp3 | Extinction Remains | Plastic Sea | Unknown | Unknown |
| 8 | 08-extinction_remains-human_presence_(after_the_earth).mp3 | Extinction Remains | Human Presence (After the Earth) | Unknown | Unknown |
NFO
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██▌ Artist...: Mßcula / Extinction Remains ░▐██▌
░▐██ Album....: Untitled ░██▌░
▓▐██ Year.....: 2019 ▓▐██▓
▓▐██ Rel. Date: 2025-03-31 ░▐██▓
▐██ Genre....: Death Metal ██▌░
░ ██▌ Label....: Defense Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Split ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Mßcula - Cultivando Certezas R·pteis 7:39
2. Mßcula - Travessia 3:14
3. Mßcula - Muro de Palavras 5:12
4. Extinction Remains - Swamp of Destruction 4:44
5. Extinction Remains - Why? 4:40
6. Extinction Remains - Ecological Collapse 1:57
7. Extinction Remains - Plastic Sea 2:16
8. Extinction Remains - Human Presence (After the Earth) 3:51
33:33
On this split CD released by Polish label Defense Records, two Brazilian
bands are causing some serious noise. Extinction Remains are extreme
metal, but Mßcula classify themselves as punk rock/crust. Well, here
they have some metallic traits anyway. Their three songs are featured
first, so let's get dissecting.
Punk rock Mßcula (est. 2010) isn't like Ramones, Sex Pistols, Bad
Religion or Green Day; it is mean for sure, partly epic, and certainly
not after millions of real (well, there's bleak reality in their lyrics,
but real is Brazilian currency, too). The rhythm guitar is sludgy and
fucking distorted with semi-distorted, open-stringed, reverbing lead
guitar work accompanying it. It is dirty, heavy and gloomy. The pace
varies from slow, doom-ish to very fast D-beats and almost blasting.
Okay, slow doomy stuff, assaulting fast black-ish parts, epic-as-heck
bits ('Cultivando certezas r·pteis' features the best High On Fire riff
they never wrote, at 00:53; straight from a barbarian movie soundtrack,
that!), and they also offer an otherworldly instrumental track. The song
lengths also vary quite a lot, so Mßcula certainly are a rather mutating
entity. The vocals are low throaty growl, something between death and
black metal, and they sound suitably unhealthy for sure. The sound is
raw and crusty, with a very ominous vibe added by the lead guitar. In
all, Mßcula aren't making very catchy tunes, but they can make one feel
uneasy and oppressed.
And then it is time for the part of Extinction Remains (est. 2013),
whose crusty death/doom is savage statement about the human being's
devastating life style on this planet. Hard-hitting riffs and drumming
(also double kick style) are both rather simplistic yet effective. The
bass guitar rumbles in the mix, and low-tuned guitars are somewhat
beefy. The band kind of alloy together the things they've done in the
past. The songs vary from sludgy doom to more, at times punky, death
metal assault, which must have been, at least partly, influenced by old
Swedish masters. There's discords and open-stringed playing to give it a
more foreboding atmosphere here and there. Often, the lyrics are short,
so there's not a lot of vocals heard, plus two of five songs are
instrumentals. When the vocals happen, they are reverbed growling from
between throaty and guttural. So there's quite a bit variety there, and
on 'Human Presence (After the Earth)', they start are distorted speaking
and then start to go more lower and more guttural. From the two,
Extinction Remains's style is catchier, even though the music mutates
between the styles and offer space for jam-like excursion.
The booklet features not just beautiful artwork, but all the lyrics
(ER's lyrics in English and Portuguese, Mßcula's only in Portuguese).
Nicely packed, these two bands are not similar, but they share some
traits and I expect people to stomach both of them.
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