| Genre | Unknown |
|---|---|
| Date (CEST) | 2022-01-05 18:18:41 |
| Group | GRAVEWISH |
| Size | 94 MB |
| Files | 7 |
| M3U / SFV / NFO | |
Millenium-The_Sin-CD-2020-GRAVEWISH
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-millenium-pride.mp3 | Millenium | Pride | Unknown | Unknown |
| 2 | 02-millenium-lust.mp3 | Millenium | Lust | Unknown | Unknown |
| 3 | 03-millenium-wrath.mp3 | Millenium | Wrath | Unknown | Unknown |
| 4 | 04-millenium-gluttony.mp3 | Millenium | Gluttony | Unknown | Unknown |
| 5 | 05-millenium-sloth.mp3 | Millenium | Sloth | Unknown | Unknown |
| 6 | 06-millenium-greed.mp3 | Millenium | Greed | Unknown | Unknown |
| 7 | 07-millenium-envy.mp3 | Millenium | Envy | Unknown | Unknown |
NFO
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██▌ Artist...: Millenium ░▐██▌
░▐██ Album....: The Sin ░██▌░
▓▐██ Year.....: 2020 ▓▐██▓
▓▐██ Rel. Date: 2022-01-05 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Lynx Music ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Retail ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Pride 6:01
2. Lust 6:58
3. Wrath 6:10
4. Gluttony 6:13
5. Sloth 7:38
6. Greed 5:37
7. Envy 10:04
48:41
Millennium's latest studio album, "The Sin", is a musical interpretation
of seven cardinal sins present in the times of modern media. "The Sin"
contains seven tracks that describe government politicians, proud
celebrities, greedy crooks, jealous lovers, lazy people, full scope of
addictions and hatred for others! Welcome to the modern world of seven
sinsà
---
The Sin is the sixteenth release from established Polish crossover rock
quintet Millenium consisting as they describe it of seven tracks that
describe government politicians, proud celebrities, greedy crooks,
jealous lovers, lazy people, full scope of addictions and hatred for
others!
So a pretty straightforward concept, the seven deadly sins and with
Millenium you pretty much know what you are going to get.
Well-structured concepts, good production, excellent all round playing,
stadium friendly rock with some big ideas though nothing to scare the
horses. I don't mean that unkindly, just that on the whole they stay on
the safer side of things. This release sees the group clearly having
some fun with the concept, and makes for one of the most enjoyable of
their recent releases. Pride starts with some lovely atmospherics which
fans of Richard Barbieri's analogue synth work will appreciate, soaring
guitar takes into Lucasz Gall's hearfelt vocals and Millenium are
quickly into their stride, sounding as good as anything I have heard
from them lately. Lust slams in like a flying brick wall, taking the sin
in its broadest sense with its tale of a crooked politician grasping at
power and all that comes with it. Pink Floyd-like keyboards take things
at full flow, swelling with insatiability. Wrath is surprisingly
reflective and actually un-wrathful, reflective and measured in its
dissection of the primal forces undermining essential humanity. Piotr
Plonka puts in a suitably blistering turn, one of many from this fine
performer, playing off Ryszard Kramarski's ethereal keyboards. Gluttony
together with its partner Greed are the two shortest tracks, though I
shall avoid the trap of demanding more at this point. In this case the
former concentrates on a form of alcoholic incontinence and the band are
clearly having fun with the character ôBring me my vodka and gin!!ö
indeed. Thumping bass and growling guitar greasier than a kebab drip
tray underpin the sleaze. Sloth by comparison is all air and space,
piano and acoustic guitars pull off the trick of drawing out the
aimlessness of the subject without being aimless in themselves,
sketching laziness without being idle. The central keyboard solo is an
exquisite float downstream on a summer's day. Being killed by time, too
apathetic to kill time is a witty concept. Greed is perhaps the one
track that is a bit plodding and maybe excusably so given the unedifying
subject matter the band do well to concentrate on the unsavoury outcomes
and move on. Which brings us to the final and longest track; Envy. This
is the most predictable and literal treatment of the seven, an extended
ballad of lost love which doesn't end well is given a suitably wistful
treatment, but ends the set on an undeserved low ebb, despite the
passion at its core. Fortunately, another screaming guitar solo is never
far away to save an otherwise plodding track, which ends with the sound
of a cell door slamming vehemently shut. Make of that what you will.
This is one of Millenium's most accomplished recent releases. The band
are all in excellent form, creative and clearly enjoying exploring the
concept. While nearly every track is great of its kind, there is still a
tendency towards an overall monochrome effect, but this is a minor
quibble, especially on this form. This would certainly be the release I
personally would recommend to anyone who has not heard them before. The
concept is a good one and it is well executed, and imaginative.
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