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▓█▌▐█▌  ▓▀    ▀▀ ▓▀   ▀▓    ▀▀▀    ██▓ ██ ▀▀               ▀  █▌       ▓ ▀▀▀▀ ▀ ▐█▓ ▀▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▓██▄█▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀   ▀▀▀▀▀▀ ▌▀ ░▓█▓░ ▀█▄                ▓▐█▀▀                      ░▓█▓░ ░█▓░░  ▓                      ▓        ▓░▓█░  ░▓▄█████▄░   ▄ ▄  ▓▄██████▄░  ░▐██▀▀▀▀███▓░ ▀▓▀ ▀▓▀ ░███▀▀▀▀██▄▓ ▀▀▀   ▀▀▀▀▀▀  ▀▀▀▀▀   ▀▀▀ ███  ████▀    ▄▀▀▄▄█████▄▄ ▄▄█████▄▄▀▀▄   ▀████   ██  ██   ▀██▄▐▄  ■ ▄██▀▀ ▀██▄ ▄ ▄██▀ ▀▀██▄ ■ ▄ ▄██▌   ▐█▓  ░▓▄   ▀██▄▀▓█▄▄▄█▀▀ ▄ ▄▓▓▄ ▐█▌ ▌ ▀▓▀ ▐▓▓▌ ▄▓▓▄ ▄ ▀▀▓▄▄░▄██▀   ▄▀      ▓░▓▄███   ▐▀ ▀▓▀ ▀▀ ▄██▀ ▀██▄ ▀▀ ▀▓▀  ▀███▄ ▓▓        ▄██▀▓   ■ ▀▄▀ ▀▄▀ ■   ░▀███░       ▓███▓     ░░ ▐▌ ▐▌     ░███▓      ███▌░  ▀ ▀ ███▓    ▐██▀ ▀███░   ██▌  Artist...: Sentinel Beast ░▐██▌  ░▐██   Album....: Depths of Death  ░██▌░ ▓▐██   Year.....: 1986  ▓▐██▓ ▓▐██   Rel. Date: 2022-01-06  ░▐██▓  ▐██   Genre....: Heavy Metal   ██▌░ ░ ██▌  Label....: Metal Blade Records   ██▌    ▐██  Source...: CD  ▐██    ░▐██▌ Type.....: Retail ▐██▌░  ▓▄████ Quality..: VBR, 44.1kHz, 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░▄▀▀▄█▓░ ▓▓█░████▓███░██▀▓▓███▓ ▓██▓▐█▌ ███▄▄   ▐███▄ ▓▄█▀▀  ▐█▄█▀  ▄▀▀░ ▄█▀░ ░ ▓████████▐██████▓█▓ ▓█ ██  ░█▓ ▐█▄▓██▄██▄▐█▌░   ▐██▌▓▄█▀▓    ▄▄▀▀▀▀▄▄▄ ▓██▓▓▓▀▄████▐░███ █░█▌▄ ▐█▀██▀ ██▀   ▀███▄▄█▓ ███████▄▓▀▀▀▀▄▓  ░▄██▓ ▓ ▓██▓▀▄█████▓ ▄▄▀▀▓▄▄█▄▐█▄▄▓▄▄▄▄▄▄▄░▄░░░▄▄▀▄▄▀█░▄▄▄▄▄▄▐█▌ ▄██▀▄▄▄▄▄▄ ██░████ ▓     ░  ▓██░                        ▓█▄█▀     ▓██████            ▀▀▄▓                      ▓▀▀▀       ▓ █ 1. Depths of Death 2:51 2. Mourir 2:48 3. Dogs of War 3:18 4. Corpse 4:10 5. Evil Is the Night 2:36 6. Sentinel Beast 5:01 7. Revenge 4:26 8. The Keeper 3:09 9. Phantom of the Opera (Iron Maiden cover) 5:52 10. Sentinel Beast 5:22 39:33 Like the other handful of thrash metal bands in the 80's fronted by a wild woman, Sentinel Beast didn't exactly leave much of a mark back then. Yet just by being part of this rare clique of groups, their notability remains assured, and the fact that their music isn't some low rent garbage doesn't hurt either. What also provides this act with a strong sense of individuality outside of Debbie Gunn's vocal contributions is the merging of their primary influences into a pretty unique brand of thrash that's both melodious and savage at the same time. The urban alley brick wall backdrop is there, yet the garbage cans are polished and gleaming. It's easy to conclude that they began their not-so-lengthy career as a NWOBHM type act, with faster grittier thrash influences gradually infiltrating their presentation, and by the release of this effort they had blossomed into brazen speed/thrash while not disowning their original intentions. The cover of Iron Maiden's "Phantom of the Opera" finalizing this album is pretty telling actually, a caffeinated and gritty take on the Paul Di'Anno sung classic. Most covers of this vein, as opposed to covers of pop tunes or campy bullshit for laughs, act as an homage to great bands enjoyed extensively by the performers, but in this case it's more than a one-off in that the Paul Di'Anno era of Iron Maiden is all over this fucking album. Sure, early Slayer figures in heavily as well, but that's not exactly an uncommon influence for a mid-80's thrash effort. A dirty street level speedy take on Maiden's first two platters is a rarer three-headed beast though, with "Mourir" resounding like a collective summarization of the album Killers with some licks practically borrowed from the title track. Songs like "Corpse" and especially "The Keeper" propel themselves at vibrant "Murders in the Rue Morgue" tempos with some harmonized guitar and bass work overlaying them much like what Murray, Smith and Harris were pulling off in those early days. Even the ripping fast æmonikerÆ track breaks into this melodic passage that's right out of the final minute of "Genghis Khan". Despite all this, Depths of Death is still one grimy mean thrash machine with no shortage of rabid-paced firepower as songs like the gang-shout enhanced "Dogs of War" and the awesome "Evil is the Night" can attest, tearing shit up like Show No Mercy's speediest slabs. The riffs are punchy and frantic though a bit primal in execution, resulting in a bit of sloppiness that's not a detriment so much as a street-wise attribute bringing out that ripped jeans and leather vibe. The dueling guitar solos are also furious and fast, again meshing Slayer's anarchistic attack with Iron Maiden's more melodic interplay, and underneath it all Michael Spencer is one busy bastard on bass thanks to the obvious Steve Harris influence. It should be no surprise at this point to say that Debbie Gunn follows suit, marrying a harsh forceful delivery with Paul Di'Annos sense of melody and penchant for occasional vibrato enhanced wails. While her craft seems weaned on singing over those two fucking Maiden albums religiously in her youth rather than whatever professional options were out there, her snarly yet slinky tone fits like a studded leather glove over the music, providing the band with their most immediate recognizable characteristic. While the idea of "Show No Mercy meets Killers" sounds unquestionably dope on paper, it's actually a bit distracting in the sense that I find myself thinking about which of the two influences ring stronger at times, and the urge to bust out early Maiden and Slayer starts badgering me. It doesn't help that the production lacks overall power even for the time of Depths of Death's release despite each instrument being clearly discernible. The whole project feels a bit rushed as well, adding some grit but at the expense of tightness, which is weird since I can tell that this gang had some serious chops thanks to the sheer amount of busy melodies riffs they incorporated into their thrashy rhythms. But what really matters is that these songs are fast and feisty yet undeniably catchy, and there's plenty of less agreeable styles of music to merge and/or emulate. Hell, there's very little unrepentant thrash out there that sounds like what Sentinel Beast gave the world in 1986, not just due to the female vocals, but musically as well, and it would have been the bomb to have seen them live back in the day. They might not be Zn÷white, but they had a style practically all to themselves.                                  ▀▀░                                                                                                                ░▄▀                                  ▄█▀                                             ░▄           ░▐███░               ▀█░▄▄▄                    ▄░       ▀█░░                      ░           ▀▀░                                         ▄  ░                                          ▄     █          ▀                 ▄              ▄█▄ ▄ ██▄         ▀░▀     ▄         ▀                ▀░▀   ▀         ▀▀████████▀░                   ▀ ▄      ░                      ░░       ░▀██▀                    ▀██▄                ▄               ▐     ░      ░  █▀▄    ▐▓▓▌   █                    ▄   ▄▄       ░                    ▄▄▌█  ▄▄▓▓▓▀  ▄                      ▄ ▀   ████      ░                   ▐███▌  ░ ░                  ▄██▀     ▄▄██▄▄           ░           ▄▄███▄▄ ▄  ▓                         ▐▓▓▌  ░   ▓████▄        ▀          ▀    ▓█████▓  ▀ ▄                           ▀▓▓▓▄▄   ▐▓███ ▌                       ▌█████      ▀██▄   ▄                ░▄  ▀▀██▄▐████ ▌▐ ▌▓                ▓▐ ▌█▓███       ▐▓▓▌ ▀░▀           █    █  ░ ░▓▐████▄▌▐ ▌▌ ▌▌▐ ▌▐▄ ▐▐·▌▌▐▐ ▐ ▄█████    ▄▄▓▓▓▀                            ▓ ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐▓▐▐ ▌▌▐▐ ▐ ▌█████ ▄█▓▀▀  ▄░ ░            ▄▄▄░      ▓     ░▐████▄▌▐▄▌▌▄▌▌▐ ▌▐▐▄▐▐▄▌▄▐▐▓▐▄▌█████ ▓     █               █████      ▐▄░   ▓▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓░   ▄         ▐▓    █▓███░    ▓▐█░▄▄  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐█ ▐▐ ▌▌▐▐ ▐ ▌█████    ▄██▄ ▀ ▄      █▌    █████▓   ██▀█▀▀   ▐█▓██ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▌███▓█   ▐█▓██▓   ▀██▄ ▀██▀   █████▓░    ▓█▌    ▐████▓▌▐▄▌▌▄▌▌▄ ▌▐▐▄▐▐▓▌▌▐▐▄▐▄▌█████   ▐████▌    ▐▓▓▌▓█▌   ▄█▓███▄░     ▐█▄▓  ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐ ▐ ▀█▓███   ▐████▌ ▄▄▓▓▓▀  █▓  ████████▄▄▓ ▄█████▌ ▐████ ▌▐ ▌▌ ▌▌▐ ▌▐▐ ▐▐ ▌▌▐▐▓▐ ▌█████   ▓████▌░ ▄▄   ▄▄█▄▄ ██████████████████████████████▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄     █████  ░██▓████▓██▓▓██████ █░█████▄▀█▄░████████▄▄▄▄▄██████▓████████░██████▄▄▄▄▄███████░▄██░█░█████████ ▓██▀█████▓░░ ░ ░ ░ ░ ░ ░░░▓███▓█████ ████████▓ ▓██▓▐████▓ ▓██ █░███ █░██████▓ ███▓▄▀█▓ ▓ ▓█████▓███████ ▓███ ░▄▄▄▓████▓ ▓████████▓ ▓██████▓ ▓████▓