| Genre | Unknown |
|---|---|
| Date (CEST) | 2022-05-17 00:18:47 |
| Group | GRAVEWISH |
| Size | 112 MB |
| Files | 10 |
| M3U / SFV / NFO | |
This_Winter_Machine-A_Tower_of_Clocks-CD-2022-GRAVEWISH
Infos
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Tracklist (M3U)
| # | Filename | Artist | Songname | Bitrate | BPM |
|---|---|---|---|---|---|
| 1 | 01-this_winter_machine-herald.mp3 | This Winter Machine | Herald | Unknown | Unknown |
| 2 | 02-this_winter_machine-flying.mp3 | This Winter Machine | Flying | Unknown | Unknown |
| 3 | 03-this_winter_machine-spiral.mp3 | This Winter Machine | Spiral | Unknown | Unknown |
| 4 | 04-this_winter_machine-symmetry_and_light.mp3 | This Winter Machine | Symmetry and Light | Unknown | Unknown |
| 5 | 05-this_winter_machine-justified.mp3 | This Winter Machine | Justified | Unknown | Unknown |
| 6 | 06-this_winter_machine-in_amber.mp3 | This Winter Machine | In Amber | Unknown | Unknown |
| 7 | 07-this_winter_machine-the_hunt.mp3 | This Winter Machine | The Hunt | Unknown | Unknown |
| 8 | 08-this_winter_machine-delta.mp3 | This Winter Machine | Delta | Unknown | Unknown |
| 9 | 09-this_winter_machine-when_we_were_young.mp3 | This Winter Machine | When We Were Young | Unknown | Unknown |
| 10 | 10-this_winter_machine-carnivale.mp3 | This Winter Machine | Carnivale | Unknown | Unknown |
NFO
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██▌ Artist...: This Winter Machine ░▐██▌
░▐██ Album....: A Tower of Clocks ░██▌░
▓▐██ Year.....: 2022 ▓▐██▓
▓▐██ Rel. Date: 2022-05-15 ░▐██▓
▐██ Genre....: Progressive Rock ██▌░
░ ██▌ Label....: Festival Music ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Retail ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. Herald 8:44
2. Flying 3:31
3. Spiral 2:17
4. Symmetry and Light 7:27
5. Justified 4:39
6. In Amber 3:55
7. The Hunt 7:21
8. Delta 8:27
9. When We Were Young 5:15
10. Carnivale 9:11
60:47
Neo-prog is the prog subgenre in which I am the most selective, but when
an album manages to grab my attention, it instantly becomes one of my
absolute favourites. This Winter Machine has one of them, their debut
album ôThe Man Who Never Wasö released in 2017 blew me away with its
melodies, recurring themes and long instrumental sections, it might even
be my most listened neo-prog album of all time.
IÆve been waiting for its successor for quite a long time, and now that
ôA Tower Of Clocksö is out, I can say that what first surprised me about
this album is the fact that the band took a totally opposite direction
regarding the way the album is structured. The debut album was composed
of 5 songs, and 3 of them were epics. This new record has 10 songs, and
none of them exceeds the 10 minute mark, itÆs different, a bit less
progressive structure-wise, but it makes the album easier to figure
everything thatÆs going on.
æHeraldÆ is the opener. It features a long, ethereal introduction, with
an epic vibe. Halfway through the song, this soundscape morphs into some
kind of progressive hard-rock, similar to what Rush used to do in the
80s.
In the story, æHeraldÆ is the name of an owl who stores peopleÆs
memories in ôa tower of clocksö to make sure they will never be lost,
and the whole story is told through his perspective.
This Winter Machine is known for having songs with long instrumental
interludes, sometimes longer than the sung parts. This new record makes
no exception to this rule. æThe HuntÆ, is a 7 minute song, and more than
half of it is a stunning instrumental jam, containing some of my
favourite moments of the album.
The album is also filled with a significant number of slow songs and
ballads, but all of them are different enough to have their proper
identity, which is a great thing.
æFlyingÆ is the first one, and is the ôsimplestö of them all, featuring
only vocals accompanied with a piano. IÆm going to be honest, I donÆt
like this song very much. DonÆt get me wrong, the melodies are great and
the lyrics as well, but I really dislike the effects added to the voice.
Thankfully, itÆs the only song with this kind of vocal production.
The other ballads however are marvelous. All of them have one particular
thing that makes them shine. The bass work in æJustifiedÆ, the
atmosphere provided by the synths in æIn AmberÆ, and the lyrics in æWhen
We Were YoungÆ. WhatÆs more: the way theyÆre placed in the album is
ideal. æJustifiedÆ and æIn AmberÆ are placed between more progressive
songs, whereas the last one is the introduction to æCarnivaleÆ, a
glorious epic closing the album in a memorable way.
So, can I say I prefer this new album to ôThe Man Who Never Wasö? In all
honesty, the answer is no.
A Tower of Clocks is catchier, and composed in a more straightforward
way, which is a great thing, but I miss the wild atmosphere its
predecessor has, provided by the long instrumental sections hiding
recurring themes.
To conclude, A Tower of Clocks isnÆt perfect, but is filled with moving
themes, stellar keyboard work and strong basslines. And most of all, a
beautiful story rich in fantasy, which will move you to a whole new
world, the world of This Winter Machine.
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